poetry, Uncategorized

Seen and Heard


A great man was coming to visit, was going to step inside our walls, walk inside our rooms. We had prepared ourselves as best we could–put on clean clothes and shoes, combed our hair, opened our faces into smiles. Some us stood in a line at the door with palms held open, expectantly waiting. All eyes turned toward the light streaming into the narrow passageway from outside where the man would step into the room we prepared for him decorated with white satin and gold colored cloth draped from the walls. His foot paused in the doorway, and one thousand four hundred of us fell silent. We knew it was a rare moment.

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Dalai Lama, photo by Mark Cowlin

At last he walked in, wearing his red robe and glasses. All rose in unison, except those who could not. When the 98 year old woman sitting in her wheel chair saw him, she threw up her arm and called out “Where have you been?” into the expectant silence.

“Right here in the world, with you,” said the Dalai Lama, as he bent and bowed before her, holding her hand.

When he turned to the receiving line where I stood waiting, a voice inside called out silently (as I’m sure happen to all those near me) that he would look at me in the face, reach out his hand to mine, touch me, and in that touch somehow know me. Bless me. I didn’t want to press myself in front of others to be noticed. If he touched me, I reasoned, it would be his choice, and up to fate. Some people he did look at in the face and greet. Some, he touched their hand or head as he passed by. Others, faces glowing with the light of happiness, ended up in photographs.

 

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Dalai Lama, photo by HHDL office

 

Though he glanced at me briefly, he didn’t touch me or look straight into my eyes as I hoped for, however. Neither did I appear later in a photograph, though those on either side of me did. There is no photographic record of this encounter. No one will later know I was there unless someone later tells a story, as perhaps I’m telling you now, that includes my name. Though I was close to him, I was one the Dalai Lama passed by.

Why does that matter? Why did I want him to touch my hand? What did I, or any of us, hope to gain by his touch? What kind of connection or knowing might have occurred through that brief moment? I remember when president Obama visited Delhi several years back, how he and Michelle shook my hand. Though it was an encounter I never dreamed I would experience, I couldn’t exactly say after that that the experience had changed my life. Still, I felt somehow connected to my country in a more concrete way that I wasn’t previously aware of.

We all long to be known, to be visible, to matter. There is a kind of knowing when someone looks directly into our eyes and when we hold in ours the hand of a person we care about. Similarly, rather than merely gazing at photos of the home we love, we like to walk the land, hear the sounds, smell the earth. There is a felt presence and an exchange that occurs with physical reality, with touch. A thousand faces may stream by us in a subway tunnel, and we will not feel seen or known. A different kind of encounter occurs, when we gaze out at the world with an expectant heart, waiting to receive. We long for connection.

 

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Dalai Lama, photo by Eric Johnson

People recognize that the Dalai Lama is a man of integrity, someone who seeks to live in honesty and who has given himself over to be a living presence of peace. That is difficult, and we all know it. We want to listen to such a man. He might have something to say that will help us understand how to live. We want to look in his eyes, to touch us, because in some unspoken way, we recognize that our lives connect when we touch. Maybe something of that peace will enter into our own lives and change us.

We know when a loved one is present in a room when we first open a door, though we can’t see the person. When I was injured in college, my mother half way across the country woke in the night and knew something had happened to me. She also knew her brother had died before she was told. The body has a kind of knowing that moves through the heart.

We’re told of how when he was here on earth, people clambered around Jesus, hoping to touch him. Perhaps you recall the story of the woman who amidst the crowd reached to touch the hem of Jesus’s clothes, believing that if she did so, her life would be changed. I picture her threading her way through bodies, stretching her hand to reach the hem of his clothes from a stair below as he passed by. Though the crowd pressed in around him, Jesus noticed her, and turned around to see who it was. He must have looked into her eyes directly, recognized her in the vulnerability and longing revealed in her face. “Take heart,” he told her, her faith had made her whole. There is an interconnection, an exchange of energy, when hearts open. Some door opens that isn’t there otherwise, some liminal curtain is pulled back. An exchange happens. Lives connect. Perhaps this is how miracles are able to occur.

Where have we been all our lives? We are here in the world with each other. We have something to give one another, and the world around us in the open heart of our presence. The evening I first went out with the man who is now my husband, he told me at dinner as we watched rain dripping down the crystals at the now burned down Triton restaurant in San Diego, “The world is held together by strands of light.” We are more than the sum of our bones, body and breath, but through these, we touch life.

What we are living is mostly a mystery. We need containers to allow ways in to experience. But the real knowing spills over and out of these. That is why we need art, poetry, dance, literature. E.O. Wilson speaks of how in the future humans will be more and more integrated with machines, and that is why we will need literature and the humanities more than ever–to help us explore that territory of what it means to be human with all its difficult questions.

Words can be a way of finding how to be present in the world, a pathway into letting the invisible become visible to us. Words are strands of light we make to help us see the world and who we are, what it is we are living. Here is my poem I wrote several years back, “Seen and Heard,” that appeared in my chapbook, Saudade about this practice of presence. We don’t have to be the Dalai Lama. Everyone we know and encounter, wants to know that somehow inside the press of the crowd and busyness of the day and its multitude of priorities, that it is still their presence matters most. In our look, we can bless. In a pause, the tone of our voice, we can bring peace. With a simple gesture or touch, we can lets others know they are seen and heard. Perhaps that, too, is the light that holds the world together.

Seen and Heard

As a child, I stared long at the hidden pictures
in children’s magazines, looking for the lamb
inside the cloud, the face inside a pleat or tree,
the button or missing bow that made one figure
different from another. What satisfaction
when I found them. How affirming it was
to know that all those little details, the small
realities of the world that begged to be seen
could be found, recognized, known.

Today when I peer out at the world, the picture
I see is workers, day after day rising with the sun
to start their tasks. They feed the fire or prepare
the mortar for the brick. Some lift bundled
branches to their shoulders. Some hammer nails
or paint the walls. Others sort through files, prepare
documents, answer calls, gather round tables,
or read books deep into the night.

We do our tasks, we make the rounds.
Still, things hide there inside the walls
and trees, pressed inside the body’s quiet
folds of those we meet, waiting
to be found if we know how to see.

Cezanne looked for them, the hidden forms—
the cylinder inside a tree, the sphere inside
the head, the geometry of nature, and though
his eyesight was weak, or perhaps
because of this, he found the hidden shapes
and painted them in plains of color
so the rest of us could find them.

Goya, too, painted the secrets others meant
to cloak, the fear inside the peasant with arms
uplifted, his white shirt glowing against
night’s darkness, the hidden faces of the men
turned away from view, their guns that showed
the world in thickly painted strokes the torment
of a deaf world.

We turn through the pages of time
and off we go each day to make our story,
paint our picture, lift our bricks, do our work.

Our eyesight is weak, our hearing faulty,
but we stare at the pages anyway, trying
to make sense of the world, hoping to find
the forms inside of forms, to hear the unspoken
voices or even our own voice inside
the night sky darkness we might be standing in.

There we are with our boards to nail, bushes
to trim, our books piled beside us—
with whatever it is we discover and make
and love our world with, our arms
thrust up to the heavens, hoping someone
will see us. Hear us. Hoping someone has looked
long enough, hard enough to recognize us
hiding there inside the pleats and paint of life.

 

poetry, spirtuality, Uncategorized

A Visit from the Dalai Lama and 10,000 Shades of Blue

More important than what was recorded, these evenings
deepened my life: they framed every event

or thought and placed it with care by the others.
As time went on, that scribbled wall—even if
it stayed blank—became where everything
recognized itself and passed into meaning.

–William Stafford, “Keeping a Journal”

image

“The next hot job in Silicon Valley is for poets,” says the Washington Post today, describing how the tech industry is working to improve the interactive quality of the voice and personalities behind the artificial intelligences we interact with on the Internet, like Apple’s Siri, Amazon’s Alexa, and Microsoft’s Cortana. To do this, software engineers are turning more and more to poets, fiction writers and comedians in a new wave of jobs in artificial intelligence. Additionally, an article in Motherboard, Robots are coming for our poems,”now two years old, examples are given of robots co-authoring Shakespearian sonnets and haikus. An android learns the algorithms of language you give it, makes predictions about what words will be chosen over others, and uses these to write a poem. I don’t know the definition of “co-authored” as it is used in the context of the robot working together with a human, or how many trials it took to get a poem that feels cohesive and reads like a poem, but I enjoyed the sonnet, as well as a haiku a robot created that are included in the article.

Sasha Chapin’s article, “When robots write poetry,” written this past February, also describes how the algorithms are used that enable robots to write poetry. More interesting, however, is Chapin’s statement at the end of the article, “The coming artificial beings may love good poetry for the same reason we do: how it can seem to bridge the boundaries between consciousnesses. But they will possess a consciousness we couldn’t possibly understand. And when they write poetry, it will not be for us.”

While I question whether robots have consciousness, as Chapin implies, there is a difference between a living, human mind raising questions and pondering life and poetry artificial intelligence produces using algorithms, rather than conscious reflection. The Atlantic reports that number of non-book readers has tripled since 1978. Currently, I’m preparing to present a week long workshop on poetry and poetry writing with middle schoolers at ACS Hillingdon International School, a school just outside of London. As I consider what those students’ interests and concerns might be, I’m turning over the question in my mind, why is it we write for purposes other than to carry out necessary tasks, and in particular, what value does writing poetry hold?

Though  it may be helpful to learn that the job market is currently opening up for poets and fiction writers in the tech industry, there are deeper reasons to write and to read poetry, and these have to do with the poetry’s potential to connect us to the physical world, notice its mystery, and value its presence. If you’ve not seen this short TED talk about the worldwide telescope, it’s worth viewing. What Google earth has done to map the world is now being pieced together for the universe, enabling you to map your own virtual tour of the universe with images currently available. When I watched the talk and viewed the images, I felt humbled by the wonder of all that is—the immensity of creation and the miracle that I’m alive on this planet, existing amidst it all. Writing poetry is the opportunity to reflect on that wonder. Perhaps it’s interesting that a robot can write poetry, but how much more amazing it is to experience the poetry writing process yourself—to try and put words to what it means to be alive in this moment. As Salman Rushdie describes, “A poet’s work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.” That’s a challenging task, but certainly a valuable one.

Recently, the Dalai Lama visited the school where I work. During his talk to the student body, he repeatedly emphasized humanity’s interconnectedness with each other and with the natural world. A compassionate heart and a calm mind go together, he explained, and a disturbed mind affects the body. There’s hope for a more compassionate world if we make an attempt, he said. With anger, there is no hope, and he admonished us to make an effort.
With effort, this century can be a happy, a peaceful century, he explained. When there is too much stress, violence comes. Human rights violations are first emotional problems, he stated. Violence comes as a consequence of emotional problems. “We have to make an effort to promote more warm heartedness so there will be no opportunity to kill or bully, because we take care. No one can survive without community,” he said. Selfishness destroys your own happiness. “Society is the basis of our happy life, so we have to take care of society. West needs East. Southern and Northern worlds need each other—not this notion or that,” he said. Around us we see so much fear and distrust, yet friendship is dependent on trust, and trust is dependent on compassion, he explained. Narrow mindedness and shortsightedness brings disaster.

In aiming to build a compassionate world, poetry is a valuable asset. Poetry nurtures our inner life and helps us to understand what it means to be human and to stand in relation to the world around us. Robots might be able to write, but we are human. We want to know what that means—what we can give to the world to meet its deep need, and thereby meet our own deep desire to feel we belong in this world by knowing what we can give to it. Writing poetry, in its aim to find the best words to describe experience, requires observation and awareness, as well as reflection. Because the problems we face both individually and collectively are complex, the practices of observation, awareness are especially needed. Deep reflection, allows us to work out our connections to each other and to the natural world, along with the disconnects we experience in trying to do so. Deep reflection is the territory poetry explores.

Before Old French gave the English language the word “orange,” English speakers referred to the color as yellow-red, ġeolurēad in Old English, according to, Matt Soniak, writer for Mental Floss. It’s not that orange didn’t exist before we had the word, but having the word created a clearer picture of the idea. Tech Insider the origins of another color, blue in this video, demonstrating that without a word for something we physically experience, such as the color blue, people have significant difficulty recognizing it. This phenomena emphasizes the benefit of both verbalizing what we are experiencing, as well as reflecting on those experiences in written words. Additionally, because languages have their own music and mirrors, reflecting the world in different ways, speaking and writing in more than one language expands the potential language has to enable us all to better understand ourselves and our interconnection to others and the world around us. If we are going to find how to live together peacefully, as the Dalai Lama suggested is both possible and important, we need tools to do so. Writing and poetry in specific, is a wonderful tool to use for this purpose. As T. S. Elliot said, “Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.”

It’s possible that one could sit with pen in hand or type at the computer, and plod mindlessly through a series of steps or items and produce writing. I’ve read this kind of writing before. But if taken to heart, writing can be a tool that enables the mind to unwind its string of thoughts and make patterns that hold meaning and change our lives both individually and collectively. Poetry and literature is our attempt to explore the meaning of being human. As Barry Lopez, explains, “I believe in all human societies there is a desire to love and be loved, to experience the full fierceness of human emotion, and to make a measure of the sacred part of one’s life. Wherever I’ve traveled–Kenya, Chile, Australia, Japan–I’ve found the most dependable way to preserve these possibilities is to be reminded of them in stories. Stories do not give instruction, they do not explain how to love a companion or how to find God. They offer, instead, patterns of sound and association, of event and image. Suspended as listeners and readers in these patterns, we might reimagine our lives. It is through story that we embrace the great breadth of memory, that we can distinguish what is true, and that we may glimpse, at least occasionally, how to live without despair in the midst of the horror that dogs and unhinges us.” We need stories, and poetry. They are our thread through the labyrinth of existence.

While diving in the Maldives a few weeks back, the boat I was living on passed over and past 10,000 shades of blue—blues we have no word for. I found a wonderful color palate for different shades of blue, along with their names on Wikipedia, but though many colors are represented here, it falls far short of what the eye actual sees—the way the white-blue sky bends down into the sea and becomes the sea, for example, or the depth of blue reaching for infinity behind the shoals of yellow, white and black banner fish, along with all the subtle gradations between shades of turquoise as water shallows and then brushes against white sand shores. To try and name any of the experiences we have is to call them, again, into existence, and to share with others what moves us, and what is meaningful–this is what poets aim to do. It is the focus and goal of their efforts, even though what we hold most precious is often beyond naming. “The power of poetry,” says Michael Lewis, “is the ability to express the inexpressible, and to express it in terms of the unforgettable.”

If we are to build a compassionate world, we need to be able to recognize how to nurture our lives and wellbeing of the world around us. We need to be able to reflect on our lives. In his poem, “Keeping a Journal,” William Stafford, identifies the value of writing in his closing lines when he explains how through the process of writing he found his journal to be a place where “everything/recognized itself and passed into meaning.” To speak with an open heart in a journal or a poem takes courage, but in doing so, we can gain insight into ourselves and our relationship to the world, insight that can enable us to transform the way we live and interact. Writing poetry helps open our eyes and reach for meaning. As David Whyte says in his poem, “The Opening of Eyes”

That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.

It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.

We write and our lives are deepened. This is what is important about poetry—it teaches us how we can live.