September Afternoon at Four O’Clock
Marge Piercy
Full in the hand, heavy
with ripeness, perfume spreading
it’s fan: moments now resemble
sweet russet pears glowing
on the bough, peaches warm
from the afternoon sun, amber
and juicy, flesh that can
make you drunk.
This month I moved from a place I called home for decades in Santa Cruz County, California, a location rich with beauty that has filled me with wonder and gratitude where morning mist drifted between tree-covered hills and summer’s noon sun lifted the redwood’s green scent from the forest floor. Wasps drinking the grapes’ sweetness hummed under the arbor on autumn afternoons, crickets sang at twilight, and at night the horned owls call from among the redwoods.
Though I lived abroad for over two and a half decades in urban environments, I always looked forward to coming home to Santa Cruz County to be restored, a place with a multitude of trails through forests, as well as being near the coast with the sea stretching into the far distance. After rains, moisture rose from the redwood duff and the bay laurels, making the earth smell medicinal green. Walking on that earth, I felt the sweetness of being alive, as if I were tasting one of the pears Marge Percy describes in the opening stanza of her above poem.

When my husband and I moved to our house in the Soquel Hills of Santa Cruz County years ago, I never suspected I would move, never considered that one day it would be wise to have an easier home to manage and a smaller amount of land to care for. We can’t see all the way to the end of a road we’re traveling on. Needs change, bodies age, environments alter, and so do world economics. As Percy writes,
There is a turn in things
that makes the heart catch.
We are ripening…
Whenever we let go of what we’ve loved and held dear we experience loss. We have to leave behind much in our lives when moving–people we hold dear, pathways we’re familiar with, places that bring us joy, routines we find comfort in and all the many memories place holds–the tree we sat under in afternoons, the hill we rode down on a bicycle, the restaurant where we ate a favorite food, the steps we argued with someone on, the school we graduated from, the storm that carried the bridge away or the quake that tumbled the house’s chimney–griefs and joys–all the many ways we experience the turn of light and the sounds of the earth we walk on through the seasons across years.
Just as we can’t wear the same shoes throughout our lives and a favorite piece of clothing wears out, even though we may not want it to happen or feel unprepared for it when it does, transitions are necessary. Wanted or unwanted, transformations require adjustment, internal and external. If we can arrive at the place of embracing the change as part of a journey rather than a final destination, we can discover new ways of understanding and being in the world. “We are ripening,” Percy calls it. Potential and possibility are there.
As Percy goes on to say,
Whatever happens, whatever,
we say, and hold hard and let
go and go on. In the perfect
moment the future coils,
a tree inside a pit. Take,
eat, we are each other’s
perfection, the wine of our
mouths is sweet and heavy.
Soon enough comes the vinegar.
The fruit is ripe for the taking
and we take. There is
no other wisdom.
The past, present and future are all contained in the fruit we hold even though we may not fully see it. The seed, the tree, the fruit, the vinegar–reality is all of these simultaneously, not just one of these things by itself–even if one aspect appears more dominant. Vinegar comes, and with it will come, the sour things we don’t like to taste. But the vinegar is not all. There’s also the fruit. “Hold hard,” Percy says. Let what we love be dear. Feel its weight. Taste the flavor of each other’s perfection and the perfection of the world around us in this moment just as it is, the perfection of its imperfection.
Percy also says, “let go and go on.” Hold on. But also let go! Everything around us is in transformation anyway. It is in relationship with each other and with the world around us that through time we transform and become whole. This is how we are each other’s perfection that Percy describes.
Here are trees I lived beside and called my friends, and this is the garden I nurtured that fed me and gave me beauty, and this is the ocean and fields I loved, though there’s so much more inside the experience of each of these—all the ways the land I lived on whispered its life, bestowed its presence, left its imprint. I hold all these, and more, dear.
There are many ways of knowing something. One of them is to live beside it for a long time, to observe it for many seasons and through many kinds of weather and light until in the end it takes on life. You see the same scene but with more depth, with all its nuances, history, subtleties and character. I have left now these things I’ve held dear, but paradoxically, they are still with me and still alive, as are the many other places and people I hold dear who are no longer with me yet still influence how I live.

The evening I left Santa Cruz for the last time to drive up the coast and then inland to my new home, the sun was setting, an ongoing display of dying light in all its beauty. I’ve entered a new world now, further north in Sonoma County. I don’t know where time will take me from here but I’m holding on to the fruit of this experience, savoring it until it’s again time to let go.
“Here is the world. Beautiful and terrible things will happen. Don’t be afraid,” wrote Fredrick Buechner. There’s a lot of uncertainty we collectively face as a planet in the years ahead. Moving is a practice in death and rebirth. I hope I can learn to face every future transformation and not be afraid.