place, Uncategorized

Finding Home

“Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk.” –Barry Lopez

For some time, I’ve thought living in a village would be ideal. Because villages are small, it’s easier to get to know one’s neighbors and to feel a sense of community. A village would be walkable, making it potentially easier to get things one might need such as groceries. Additionally, often the land where villages are located holds stories of human life moving back in time that give the location character. I’ve loved the villages I’ve visited when traveling: Alvito, in southern Italy, Mystras, Greece, Luang Prabang Laos, Villa de Leyva, Colombia, and Antigua, Guatemala. Each one is filled with interest and beauty.

When I moved back to the US after living abroad for over two and a half decades, I wanted to find a village or small town of character in America to visit or possibly to live in. Several small towns I was aware of are Deadwood, South Dakota, Stillwater, Minnesota, Taos, New Mexico, and La Conner, Washington, though there many other locations throughout America with interesting small towns.

Only a couple of blocks long and a few blocks wide with a population of 1,802 people, I’d never heard of the small community of Graton, California until a little under a year ago. Its small size makes the village very walkable, and in a county known for its good food, the village of Graton has three excellent restaurants known and enjoyed by people in the area. The main street has an art gallery, real estate office, a small liquor/ convenience store, and a couple of antique shops, as well as a few other businesses, and is only a couple of miles from an abundance of other amenities in nearby Sebastopol

Previously, a railroad came into Graton that has now been converted into the Joe Rodota trail where people can walk or bike beneath oak trees and alongside vineyards as well as a small portion of the Atascadero Creek. Recently, a young local set up an afternoon stand on the side of the path selling his homemade horchata and chocolate chip cookies. This time of year, walking the trail brings the delight of inhaling the sweet scent of ripe blackberries.

Though there are virtually no sidewalks and no city landscaping, Graton is a generally welcoming place with an attractive common area maintained by local citizens known as the Graton Green. Because residents often see each other walking around town or the trail on a regular basis, people often greet each other when passing by.

Located directly off the Gravenstein Highway, beauty surrounds Graton with grape vineyards and apple orchards. The highway got its name because of the history reaching back 200 years of Gravenstein apples grown in the area. One story is the apples were brought in by Russian explores who planted the apples up the coast at Fort Ross. In Ariana Reguzzoni’s  interview with the former poet laureate of Sonoma County, Iris Jamahl Dunkle in The Press Democrat, tells a different story about how the Gravenstein apple came to the area in her poetry book, There’s a Ghost in this Machine of Air, explaining the fruit arrived from “the orchards of Italy, where Prince Carl of Denmark vacationed and first tasted the fruit. He brought it back to northern Germany, where it was grafted and bred to withstand ocean travel and, eventually, brought to the shores of Northern California by settlers.”

Once a central location for processing Gravenstein apples, this historical photo depicts how the plant in Graton looked in 1909, and here you can see those who sorted and packed the apples, and those working to process the apples. Apples dried in Graton were sent to troops in WW2. Good for cooking in pies and applesauce, the Gravenstein doesn’t keep well in storage and was typically commercially processed through drying it or converting it to applesauce. Now that apples can be transported more easily and don’t have to be dried to be preserved, the Gravenstein apple is no longer in demand. While there’s still an apple processing plant in Graton, many of the apples processed there come from Washington state. As Dunkel describes in her poem in the Cider Press Review, “Sweetbitter,” the fruit connects people “to the stories that still whisper on the low roll of a long travelled / sea where salt, like history, lingers on the air.”

Like other cities and villages across America, the land where Graton is located originally belonged to native tribes. In Sonoma County, the native people’s presence of the Cost Miwok and Southern Pomo was recorded by both Russian and Spanish explorers as early as the late 1500s. During the period of the Spanish missions and Mexican occupation of the land, the Coast Miwok and Pomo people were used in servitude for labor. Though their lands were taken from them, the tribes preserved their heritage and cultural identity even after the US federal government no longer recognized the tribe. Through their perseverance and Coast Miwok leader Greg Sarris’s effort, the tribal status was reinstated in 2000. As explained on the Graton Rancheria website, “Since the land of the original Graton Rancheria was transferred to three distributees, now deceased, the only land still belonging to the tribe was a one-acre parcel held in private ownership by one Coast Miwok family.” In 2013 the Graton Resort and Casino located in Rohnert Park south of the village of Graton opened. (A fuller history is available  on the tribe’s website.) 

The land we live on supports us, but often we don’t know much about that land. Commonly, the earth has become merely a backdrop on which human activity plays out. Though we benefit from the land’s gifts, we frequently don’t know the history of the area we inhabit, the stories and myths associated with it. We seldom don’t know what plants and animals are native to our area or what helps them thrive.  When in a relationship with another human, we listen to each other’s stories and respond. We share time, celebrate accomplishments, and learn to take care of each other’s needs. The land has its own way of being, its language and presence. When we see ourselves as in a relationship with the land, we can learn how to understand and respond to it, similarly as we would in other relationships. In his book, Becoming Story, Greg Sarris writes, “Land is a richly layered text, a sacred book, each feature of the natural world was a pneumonic peg in which each individuals could see a story connected to other stories and thus know and find themselves home.” (View Sarris’s book trailer here.) 


The place any of us chooses to live, be it a village or an apartment house in an urban location, is not only a physical address with a human history. It is as Sarris describes, “a richly layered text” connected to other stories and places, including the plants and animals that live there and the geologic and geographic history that brought it into its current state. We are affected by the land we live on, even if we aren’t particularly aware of it. Our inner life reacts to the outer world.

In Barry Lopez’s book, Crossing Open Grounds, Lopez writes, “The interior landscape responds to the character and subtlety of an exterior landscape; the shape of the individual mind is affected by land as it is by genes.” There’s a lot of fear in people’s response to information shared regarding the effects climate change will have on our planet. Instead of fear, what if we focused our response on developing a personal relationship with the specific piece of earth we live and walk on? Now is a good time to purposefully notice the plants around us and call them by name, and learn something about their behavior and what they like. Now is a good time to learn the names of animals in our environment—the birds that visit our balcony, perhaps, or the mammals that used to inhabit the area before urbanization took hold. Now is a good time to listen to the various languages and sounds of the earth, to nurture a friendship with the other and more than human world. 


David George Haskell offers a wonderful practice for helping us learn how to do that. “Sound,” writes Haskell “…carries within it the imprints of deep time. Listening roots us in the stories of the ancient Earth.” On Emergence Magazine’site, Haskell invites us to participate in several playful listening practices. One suggestion is to pause for five minutes at “pre-selected intervals” at different times of the day and to “send our sensory awareness out into the world to see what stirs.” Afterwards, he recommends reflecting on the shapes of the sounds.

Wherever you live, I hope you find ways to nurture your sense of belonging and friendship with the land you walk on and call home.

Uncategorized

Invitation

The ocean regulates and influences climate, produces 70 percent of earth’s oxygen, and approximately 94 percent of the world’s wildlife are found in the ocean. June 8 is World Oceans Day.

I’m inviting you to a poetry reading from my book, Buoyant (Bellowing Ark Press) 5:00 pm Pacific Time June 9 in celebration of the ocean waters and of diving. I’ll be reading together with Jacqueline Hill who will be reading poems on a variety of topics, also a Bellowing Ark Press author. If you’d like to attend, send me a note (contact details are on this page) and I will send you the link.

During the reading, you’ll encounter manta, whale shark, and shoals of fish. The reading will last one hour and will include music and underwater photos. I hope you can join.

I donate half the cost of the book to the 5 Gyres organization for anyone who purchases Buoyant directly from me. The 5 Gyres organization works to reduce plastics in the ocean by advocating for better regulation of plastic use and disposal, as well as conducting research to find viable solutions for reducing the plastic entering the oceans. If you would like to purchase, Buoyant, send me a private message and I can send you the book. (See contact information on this page.)

Even Dolphins Like the Blues

The water was cold—enough to make one’s head ache, 
but we were told dolphins there liked singing, 

so, we swam inside the icy water singing with mouths closed,
humming tunes loudly as we could, hoping for a visitation.

Then they came, dolphins whirling around us in circles
as if on a rotating carousel, their bodies dipping 

and bobbing, squeaking along with the tune.
We spun and twirled with them, dancing together

as we could, dizzy with delight, until the chilly water
motivated us to climb back aboard the boat.

When a dolphin neared the ship, a friend called out
“Get your harmonica!” and you played a few riffs 

from the blues. A dolphin wheeled from the water,
tossed his body into a pinwheel, spinning flips

as long as the music continued. What do we know
of the world around us, how life waits for us 

to offer it our attention, rising to greet us from
hidden wild places? What might our world become,

what joy embodied if we more often
offered the music rising from our soul?

What others have said about Buoyant:

In Anna Citrino’s lyrical new poetry collection Buoyant, she guides us through a magical, alluring, ever-changing world of the sea and its denizens, many of whom she encounters on scuba dives at close range and with heart-stopping clarity and vision. The poems are sensual and full of wonder, “… break(ing) us open with surprise, with awe—/enough to allow us to grow humble, vulnerable/ enough that we could rise from the water/ wanting to learn how to live.”  –Gail Entrekin, Editor, Canary (canarylitmag.org)

With vivid, precise and loving description, we are introduced to creatures we may or may not know, or perhaps will see now in a different light. – Magdalena Montagne, poet, author of Earth My Witness

In Buoyant, It is not only the eyes Anna appeals to but through the ear she brings the sounds of the sea. —Tom Postlewaite, Montessori educator and sailor

I recommend this book unreservedly to anyone who enjoys fine poetry or has interest in the rich life of the sea. —Michael L. Newell, author of Diddley-Bop-She-BopMaking My Peace, and Meditation of an Old Man Standing on a Bridge.  

Her scientific observations become mesmerizing meditations as she blends beginner’s mind with a mystic’s appetite for wonder. –Mary Quillin, poet

Anna Citrino carries the reader fluidly and vividly through coral gardens brilliant with living color. Her words take you on vibrant journeys. A poet diver who has plied ocean shoals slowly, with purpose to observe glorious biodiversity. –Dr. Martha Began Crawford, science educator and dive enthusiast 

poetry, spirtuality, Uncategorized

Diving into Night’s Ocean

black-spotted whip ray

Discovering the Deeper Shades of Blue: How to Night Dive

Let go your idea of needing vivid sun
or the 10,000 shades of transparent blue.

Embrace night’s serene satin, and slip in,
flashlight in hand, to seek life absent during day.

Many divers will wave their torch wildly about,
unable to focus the light they have, uncontrollably
blasting your eyes as if to blind you
without intending to. Move on. 

Let go of certainty and greet the unexpected. 
You’ve changed your lens, are looking
with different intention now. 

Shine your light into hidden crevices
and spot a parrot fish snoozing calmly 
inside a protective mucous bubble.

Go slowly. Gliding along a wall of flower coral
stretching, and retracting their delicate tentacles. 
Hold your magnifying glass close to their daisy-bright 
bodies, and then to ghost shrimps’ gleaming copper eyes, 
their tiny segmented feet intently searching for food. 

Skim past morays’ grinning faces ever peeking
from their window holes, waiting for news of a meal.
Notice others scurry from crevices, swerving
between rocks, looking for better digs.

Take time to shine your light beneath ledges
absorbing a Spanish dancer nudibranch’s salsa,
flexing, bending, and swirling its foot-long scarlet skirt.

Cast your torch across the seafloor to spy
an octopus scrambling to climb a coral-covered rock, 
skin mimicking its color and texture in an instant.

Your air tank nearly diminished, and safety stop complete, 
turn off your light and whirl your arm through the water,
watching plankton trail your movement 
in spiraling beads of green phosphorescent glow.

Daylight holds one world,
night another.

There are worlds within worlds,
things you’ll never see 
if all you know
is what daylight holds. 

Drop into night’s starry sea.
Let yourself be carried into a deeper blue.

Anna down under

There are things we love and look for. There are things we’re not ready to see or embrace though they are present, and there are those things hidden from our site that we only see when we look beneath the surface, willing to greet the unexpected, as the poem suggests. When diving at night, the diver typically moves slower, eyes focused on the band of light one’s torch illuminates. Though vision is limited to what can be seen in the frame of light a diver carries, diving into a night sea encourages a more focused, intimate observation of what might otherwise have been passed over. Similar to how stars are visible at night, things appear in a dark sea that can’t be seen at other times.

There’s a lot in the news these days to carry a person into a metaphorical dive into night. The Smithsonian reports the Colorado River is drying up, drought threatening the electric supply for hundreds of thousands if water levels drop below what allows the turbines at Hoover Dam to turn, writes Robyn White in Newsweek magazine. According to a recent article in CNN, climate change produces more atmospheric rivers making the possibility of another 100 year flood in California more likely. Antartica experienced a heat wave in March, and India its hottest month in 122 years. Wild fires in the Czech Republic, and Spain. Millions in East Africa live on the edge of famine because of prolonged drought. Drought, fires, and floods, we live in a time of uncertainty.

Everywhere we turn, disasters seem imminent. These are global concerns and our futures are woven together. There’s a place for mourning says author and Buddhist scholar, Joanna Macy, yet “what a time to be alive,” she exclaims in this video interview with her, “Climate Crisis as a Spiritual Path.” Be with your suffering. Ground it in gratitude, Macy suggests, so that when panic subsides you can recognize you’re held by life. Our greatest gift is our full presence to life. Suffering can open us to each other and help us find a shared strength in life, she explains.

scorpion fish

When facing the uncertainty of diving in the dark, it’s beneficial to do as the poem suggests, and “greet the unexpected.” Divers have to trust the sea will continue to lift and carry them, even though they can’t see their way. How do we look at difficulty with different intention and find the resources and courage to dive into the dark? Catherine Lombard, on her blog post, Cultivating Radical Hope as Our Planet Collapses explores this article by ethicists David Schenck and Larry R. Churchill  in Perspectives in Biology and Medicine, “Ethical Maxims for a Marginally Inhabitable Planet,” giving six ethical maxims for living forward into the future with the dangers we face and that can serve as a kind of light while swimming through a night sea of uncertainty:

Maxim 1: Work Hard to Grasp the Immensity. (…it is always difficult to accept bad news that has a finality to it…Some turns of events demand a change in one’s whole view of the world.)
Maxim 2: Cultivate Radical Hope. (…[only] when one reaches a certain level of despair can new resources of hope emerge, in oneself and in the new world in which one finds oneself.)
Maxim 3: Have a Line in the Sand (things you won’t do, modes of living you won’t embrace.)
Maxim 4: Appreciate the Astonishing and Unique Opportunity. (Appreciate the opportunity you have to accompany humanity in this extraordinary transition and to be present to the earth and the biosphere at this time.
Maxim 5: Train Your Body and Your Mind. (Learn skills for getting beyond the emotional and physiological limits of ego.)
Maxim 6: Act for the Future Generations of All Species. (Speak for those without voice: the poor, the future generations, other species. Speak for the forests, the seas, the mountains.)

moray eel

We view things newly and understand the world differently when swimming in a sea of circumstances where it’s difficult to see beyond the band of light directly before us and yet it’s still possible to feel free. As if an eel smiling from inside a rocky crevice or the beads of phosphorescence bubbling in the water’s surge, because of the challenges to vision night time brings, new insights and ways of responding to suffering can emerge from beneath the interior ledges of our selves. While humanity has not previously faced the kind of ecological collapse scientists indicate is coming in the decades ahead, we do have examples of how people have endured hardship with hope. In a recent Time magazine article. “Far From Home,” Afghan women now living in various parts of the world tell the story of what life is like for them, one year after the fall of Kabul. What especially struck me as I read the article is the women’s repeated expressions of determination to build a meaningful life though they have lost a world they knew and held dear. These women have endured serious ongoing hardship, yet when asked how she would describe herself in one word, one of the women interviewed, Batool Haidari says, “I am a warrior. Not because we are at war but because we are fighting to survive.” Another Afghan woman, Masouma Tajik says she is “unstoppable,” and Najiba Ebrahimi describes herself as “free.” Certainly, these women have cultivated radical hope, and continue to train their minds to grasp what has happened to them, as well as to respond to the opportunities they now have.

schooling lattice soldierfish, Seychelles

We can practice transformation now with every difficulty we experience in daily life and we are not alone in our effort. As Thich Nhat Hahn says in a practice called touching the earth, we have the energy of our ancestors in us, “wisdom transmitted from so many generations…I carry in me the life, the blood, the experiences, the wisdom, the happiness and the sorrow of all generations. The suffering and the elements that are to be transformed, I am practicing to transform. I opened my heart and my flesh and bones to receive the energy of insight, of love and of experiences transmitted to me by all my ancestors… ”

There are worlds within worlds,
things you’ll never see 
if all you know
is what daylight holds. 

Drop into night’s starry sea.
Let yourself be carried into a deeper blue.

Lying on the earth, your floor, or imaging yourself floating through the sea, you can prepare for transformation as you listen to Thich Nhat Hahn’s Touching the Earth practice, allowing yourself to be carried into a deeper blue.

Pacific Ocean, Santa Cruz, California

The poem, “Discovering the Deeper Shades of Blue: How to Night Dive” is part of my newest book of poems, Buoyant, published by Bellowing Ark Press.

Geography, poetry, spirtuality, Uncategorized

Into the Winds of Change

Aran Island overview of Inishmore from Dun Aonghasa

This house has been far out at sea all night, 
The woods crashing through darkness, the booming hills, 
Winds stampeding the fields under the window 
Floundering black astride and blinding wet –from “Wind,” Ted Hughes

Years ago I bicycled with friends up Ireland’s west coast. The day we biked from Galway to the landing where we were to catch the ferry that would take us to the Aran Islands was supposed to be the flattest terrain and easiest ride of all the days of our two week bike trip. But the rain that morning was visibly horizontal in the wind as we crouched beside benches at a Galway bus stop. We hoped the weather would ease up, but after a time, we realized that it wasn’t going to stop raining. Neither was the wind going to stop blowing. We were going to have to get on our bikes and ride despite the wind and rain if we wanted to catch the ferry to the Aran Islands. We got on our bikes and started peddling. My bike seat kept slipping down, making it challenging to pedal. My legs felt like weights. Nevertheless, I kept going, and arrived at the ferry take-off point and boarded the boat moments before it departed.

Aran Island is an ancient place with homes of stone where life was a challenging struggle with the elements. The beehive huts on the island made of stacked stones are thought to date to medieval times. Though their purpose isn’t entirely certain, they may have been built for religious pilgrims. How cold it must have felt in such dwellings! Heated homes, indoor toilets, running warm water–these are current day expectations, not how life was for humans for thousands upon thousands of years.

A trip up Ireland’s coast and to the Aran Islands gives a small insight into changes the world has experienced but going much further back in time, Earth has seen even far greater changes than the fragments of ruins of ancient cultures we see on the earth’s surface. The way we see the world now and the expectations for our lives is not as it always has been. There have been five mass extinctions in the earth’s history to date. It’s hard to imagine life different from what we know when we have only glimpses and fragments of other lives and ways of being but as much as we don’t always like change, it is part of the natural process of living beings and of our planet.

In his poem, “Wind” Hughes describes the effect of the wind on place where he sits, a description that fits the world’s present day situation. “The house,” he writes,

Rang like some fine green goblet in the note 
That any second would shatter it. Now deep 
In chairs, in front of the great fire, we grip 
Our hearts and cannot entertain book, thought, 

Or each other. We watch the fire blazing, 
And feel the roots of the house move, but sit on, 
Seeing the window tremble to come in, 
Hearing the stones cry out under the horizons.

From the pandemic, to rising costs and economic challenges, to ongoing social inequities and oppression, to the effects of climate change, and the current war in Ukraine, people across the world are confronted with strong winds coming from many directions. Day to day we walk in the midst of great change. The day of Thich Nhat Hahn’s recent death, an enormous wind blew where I live. I sat for some time on a hay bale in my back yard and watched the redwoods sway in their roots and the oak trees shake. When I looked high above me, I noticed strands of cloud had formed crossroads in the sky. The sky, the trees, the very earth beneath me seemed to be saying change has arrived, life is different now.

The world is, indeed, shifting, and because there’s so much coming at people at this time, it’s difficult to cope, to absorb and then comprehend how to respond to events. Buddhist scholar Joanna Macy speaks about this time as the great unraveling. Of course what we’re experiencing is depressing and difficult, she asserts in this short film Climate Crisis as a Spiritual Path. It’s not only appropriate to feel grief over the losses and challenges we’re experiencing, it’s important to recognize that the grief comes from a place of love. “The anguish we feel is inevitable, normal, and even healthy, because how are we going to do to create out of the present disarray an exquisite life, sustaining life, respecting society unless we are ready to galvanize everything.” Pain, she explains is the other side of love, and now is the time to expand into our full humanity.

Movement toward new awareness and growth doesn’t necessarily occur in a linear direction, however. Numerous times I’ve thought I was on a path to finding an answer to a question or situation, that I then would be moving in a new direction, only to discover that I was no closer than before, or at least I didn’t appear to be any closer. Questions and dilemmas have a way of persisting. Sometimes it seems to me that perhaps the universe itself is an embodied question wandering around in cycles of birth and death eons long searching for the answer to its own existence.

Ireland’s Saint Brendan is known for his wandering. He set off from Dingle Bay in his thirty-six-foot curragh-like boat made of leather with fourteen (some sources say sixteen) other monks to explore the world in what is thought to be the years CE 512-530. While it’s difficult to tell what aspects of the tale of his journey are factual, or where he actually went, whether to Greenland, the Canary Islands, the Azores or elsewhere, his story is part of a literary genre in Ireland at the time of a hero’s journey to the other world. Their pilgrimage embodied their quest to find the “Earthly Paradise.” All quests require a great deal of faith and theirs was no different.

The legend of their journey describes commonplace encounters such as meeting a boy eating bread and milk that the boy shares with the monks, as well as coming upon an island of birds and an island of grapes. They encounter a variety of dangerous situations however, as when they land on what they think is an island but turns out to be the back of a whale, and when their leather boat is circled by threatening fish, and when blacksmiths throw slag at them as the monks pass by their island. Some of the monks encounters are particularly inexplicable such as drinking water from a well that makes them fall asleep, the appearance of a silver pillar wrapped in a net, and finding a man they took to be Judas Iscariot sitting on a rock in the sea.

Brandon Bay

The central thing that comes down to us through time regarding St. Brendan is the story of his journey. Not the story of his arrival, his paradise found. While they may be valuable or even necessary to undertake, journeys don’t necessarily bring solutions to situations, though they can provide new insights and perspective. Even after his seven year wandering and enduring the many unknowns and challenges, on his death bed, he told his sister, “I fear that I shall journey alone, that the way will be dark; I fear the unknown land, the presence of my King and the sentence of my judge.” External pilgrimage and internal pilgrimages are connected. Meeting uncertainty is never easy, even when you are experienced at encountering the unexpected. Even if you’ve sought it out. Like St. Brendan, we are forever heading into an unknown land.

Where do we turn when life’s challenges seem insufferable, when the longing for change and resolution isn’t found? How do we during such times expand further into our humanity? Viktor Frankl, who endured the Nazi death camps at Theresienstadt  and Auschwitz (as well as two others) said, “When we are no longer able to change a situation, we are challenged to change ourselves.” The way into the unknown and toward a new way of being may not be a direct path. It may take years of wandering in a wilderness, and the wandering may not finish when we want it to come to an end. It’s the journey, the seeking and the meaning we give to our exploration on our journey that matters.

Torc Waterfall, Killarney National Park

While reaching toward a greater knowing and unfolding, we carry what we know and what we came from. A stream of water has its own character and appearance as it falls over rocks and meanders its way to the sea, carrying with it bits of sediment from the land it has touched. Streams of water do not run in straight lines. The struggle, the pressing forth into the wind and rain while waiting for change has something to teach us. In our search we can stretch beyond what we know, we meet and respond to others who, like us, are also searching. Direct action doesn’t necessarily bring about immediate solutions to dilemmas. As Rumi wrote,

“Things are such, that someone lifting a cup,
or watching the rain, petting a dog,

or singing, just singing — could be doing as
much for this universe as anyone.”

Sometimes things that seemingly have nothing to do with the challenge we face is what most needs attending to. Before leaving her bombed out home in Kiev, pianist Irina Maniukina played on her piano one last time. A choice such as this is a purposeful action that can bring us more into the fullness of our humanity that Macy speaks of.

We may need to go wandering like St. Brendan, set out on a long ride or walk, or maybe simply to sit on a couch and give attention to our dog. Change is upon us, but as Llewellyn Vaughan-Lee writes, “We always belonged to this mystery, and maybe we can begin to find our way back, even if it means following an almost hidden path, unrecognized by our rational selves. Despite the growing darkness and images of destruction, the gate to this garden is always open, and if we listen carefully, we may hear the many voices that still beckon us.” Change is Gonna Come