Nature, place, Uncategorized

Where is Home?

Sonoma County coast, in my current home country

About a year ago I was standing outside city hall in Santa Rosa, California for a ceremony, listening to a Native American man pray in his native language. As he prayed, he beat out a rhythm on a hand drum. Though I didn’t understand the words, the rhythm sank into my body, and I recognized on a deeper level, I was standing on land that didn’t really belong to me. I inhabited a world that had belonged to other people. I lived abroad for twenty-six years, was accustomed to being a guest in other cultures. This country was supposed to be my country, my culture. But once again, I recognized I’m actually a guest, part of a larger interweave of life living in this place I call home.

Are there stories that shouldn’t be told? Recently, I met someone who mentioned she’s currently reading my book, Stories We Didn’t Tell. She told me her family members had done “horrible things to various ethnic groups across the years.” She went on to name a few of those. “Maybe there are stories we shouldn’t tell,” she suggested. The stories were painful to own up to, felt too awful to retell. Restoring right relations both with others and with ourselves is challenging. How do we release ourselves from shameful past events connected to our history?

In the 1800s, Americans were encouraged by people like journalist John L. O’Sullivan and President James K. Polk, to believe that they were somehow exceptional people and it was their God-given calling to expand across the continent and settle the land and used this idea to justify their action of moving indigenous populations from the land they’d lived on for millennia. Descendants of settlers in the eastern region of the country responded to the government’s idea of Manifest Destiny and progressively moved west. People may have been persuaded that their move west was the patriotic thing to do, but that movement brought about the removal, dislocation, and attempted destruction of native populations across the continent. Generations past that era of westward movement, when I consider now, the enormous loss and ongoing suffering that resulted from the belief in Manifest Destiny, I wonder how to respond in a way that both acknowledges and offers reparation for wrongs done.

Ruts in stone outside Guernsey, Wyoming, made from settlers’ wagons traveling west on the Oregon Trail

We live in an era of globalization, of world-wide diaspora. Much of the world lives in locations where they don’t share a long history on the land. People move, adapt to new cultures, learn other people’s histories and stories. Jeanette Winterson, in Frankissstein: A Love Story, writes, “I believe that the modern diaspora–that so many of us find ourselves somewhere else, migrants of some kind–global, multicultural, less rooted, less dependent on our immediate history of family or country to shape ourselves–all of that is preparing us for a looser and freer understanding of ourselves as content whose context can change.” In a world of constant movement and dislocation, how do we develop connections with the soil we walk on and the land around us in such a way that we develop an awareness of its gifts, and needs so that we live in reciprocity with it?

I think about my settler descendants who left their home countries and came to this land in search of a better life. That happened a few hundred years ago. If I returned to the country my ancestors originated from to live, I’d be considered foreign and an outsider. Where is home when you’re no longer connected to the land and traditions your people originated from, and your history of the area is weak? Maybe home isn’t just one place. Maybe we carry home inside of us. It could be that home isn’t just a place with a particular country’s name, or a town where we were born. Perhaps there’s a larger something that connects us and creates a sense of home such as the values, ideals and dreams we hold—the idea that what unites us is larger than what divides us—a desire for respect, to matter, to sense others care about us and to feel we belong. We develop a sense of home over time by interacting with the land, its history, and the history of the people who have lived there.

A family shrine in Hawaii embodying the symbolic connection between the living family and departed ancestors

Hawaiian’s use word the word kahu for entrusted with safekeeping something precious. This is how I want to respond to the land I live on and call home. I want to interact with it as a place of precious earth entrusted to my safekeeping. I want to pay attention to it and its needs, add to its life in a way that engenders life. I want to care for the soil and nurture it, grow things there that enhance the lives of other beings. Daily the bees hover over the lavender in the front yard, hummingbirds feed on the pineapple sage’s red blossoms. There’s also a multitude of life supporting essences I can’t see at all, that dwell in the soil. “A gram of soil—about a quarter of a teaspoon—can easily contain a billion bacterial cells and several miles of fungal filaments,” says Kate Scow, soil science and microbial ecology professor at UC Davis in the Department of Land, Air and Water Resources. What makes a place we call home is in a larger part dependent on the ongoing interactions of the natural world that create the foundation that builds and sustains our lives.

The poet Gary Snyder writes, “For Americans, the real work is becoming native to North America. The real work is becoming native in your heart, coming to understand we really live here, that this is really the continent we’re on and that our loyalties are here, to these mountains and rivers, to these plant zones, to these creatures. The real work involves developing a loyalty that goes back before the formation of any nation state, back billions of years and thousands of years into the future. The real work is accepting citizenship in the continent itself.” To become native in our hearts, to give loyalties to the land we live on and its creatures, in whatever land you find yourself. This is a significant way in which to make reparation and deepen our sense of being at home.

Outside Buffalo, Wyoming

Recent world events have highlighted how closely we are tied together globally. Certain people in world leadership positions have sought to confiscate resources and control land and people for their own benefit. The flow of oil has been cut off as the result, affecting the supply chains, economy, and lives of those around the world. The motives for the attacks on Iran replay in modified form the ideas beneath Manifest Destiny. They reflect the effort to reshape the world for those who want to hold power and expand their possession of it.

One way to respond to this power play could be to focus our attention beyond our nationalities and to turn our attention toward a larger vision of loyalty, one centered on the land itself. In caring for the land, we also care for ourselves as well as for each other. How might we live differently were we to visualize ourselves in a partnership with land that needs us to recognize we are in relationship with it? In the poem, “Gardening” from Stories We Didn’t Tell, my character Adah moved to Des Moines, Iowa, in 1918 where she begins working in a garden. In the last portion of the poem, Adah talks about the challenges and benefits of gardening.

I’m working to make a garden
at Gerard’s parents’ house here in Des Moines.
I plant and mulch, weed and water, trim back
dead leaves from iris and daffodils, celebrate
the potatoes’ arrival, harvest beans and peas.
I care for the garden, and it gives me
bright blooms and fruit hanging from long vines.
So much life!

No matter how we faithfully dedicate ourselves
to care for another. Still, we carry a weight
of ignorance along with us as well.
Still, we step on each other blindly.

Creating a garden requires patience.
Every day I’m bending over a hundred times,
I’m on my knees pulling weeds.

One thing I know for certain,
it takes humility to tend a garden.

Where I garden

Gardening and planting are work, and that work is, indeed, humbling. Creative work requires time and ongoing dedication and effort. It also expands life. Robin Wall Kimmerer has begun a movement she calls Plant Baby Plant. Kimmerer notes how plants generously offer us food, life, medicine and air, but we live in an “economic system that relentlessly asks, “What more can we take from the Earth?”’ She suggests that in “creative resistance” we pick up a shovel and “will ourselves with the good green earth, not against it.” She encourages people to gather to “plant trees, raise gardens…protect wetlands, restore prairies, create native plant landscapes in homes, churches, school yards, and parking lots.” Such action connects us with each other and the earth to “heal the land and build community” in tangible ways, reimagining “our collective future rooted in reciprocity.” Making the effort to interact with the living earth in this way can reshape our thinking about who we are, what we belong to, and what matters. We can live a different story, one that imagines healing and whose presence nurtures and restores. We can start simply, go together with others. And keep going.

True, there are ways people have both knowingly and unknowingly added to the suffering others have experienced. There are horrors that have purposely been carried out or explained away in the name of righteous action. But we can turn toward other stories. Here in the northern hemisphere, it’s autumn. Trees are losing their leaves, a suggestion that periodically it’s a good to drop the leaves of old stories. The horrors we inherited need to fall and dissolve into the soil so renewal can later arise and give new life. The Hopi people have a saying, “Take the breath of the new dawn and make it part of you. It will give you strength.”

Colorado Aspen wearing autumn’s color
music, poetry, Uncategorized, Wonder

Seeing With the Eyes of the Heart

Honu Green Sea Turtle, Hawaii, painting on silk, Ann Pervinkler, photo Tim Pervinkler

“Paying attention is a form of reciprocity with the living world, receiving the gifts with open eyes and open heart.” –Robin Wall Kimmerer

Sometimes, it takes a long time to see something. Maybe you’ve looked at something before and recognized it, but really seeing it can be a different thing altogether. Painting on silk, as Ann Pervinkler does, the artist has to pay attention to shape, angle, blending of color and use of space, but more than that, an artist wants what she’s painting to come alive–to have spirit and life. When I saw Ann’s turtle pillow, I felt the turtle was swimming right to me, and immediately thought of my experience some years back while snorkeling beside a turtle in Sri Lanka.

When I first saw the turtle, I was elated since I’d never before swam so closely alongside such a large turtle. It seemed the size of a small, round picnic table! It moved through the water with grace and ease. Close enough to easily touch the turtle, I began to see it in a new way. You can watch this video version of the poem as I read it to the accompaniment of Kanako Fukumoto on the violin and Satsuki Fujishima on piano, (“Merry Christmas, Mr. Lawrence,” by A. Senju/ Kimi wo Shinjite.) The turtle in the video was filmed by Marina Goodyear in Malapascua, Philippines.

The Curious Turtle

She wasn’t like other turtles
plowing along the ocean bottom
tearing up coral with her beak.

She didn’t hide under a rock 
when I swam by for fear of what
I might do. No. 

She held intently her full mouth
of food as the surge swept her.
Trailing a string of bright bubbles
she paddled straight to me, placed
her face with its glistening eye
next to mine and peered into me. 

I stared into her eyes’ gleaming depth,
her gaze a recognition. 
Somehow, she knew me.

The universe spinning through 
its layers of mystery, I’d entered
another world, felt how Eve
must have felt in the garden
before the fall, naked, vulnerable
and scintillatingly alive.

Hawksbill turtle, Seychelles

When we give ourselves to something with our full attention, looking with the eyes of our heart, we see the world anew. As Antoine de Saint-Exupery wrote in The Little Prince, “It is only with the heart that one can see rightly; what is essential is invisible to the eye.” Not a mere backdrop we are moving through, when we look at at something or someone with the eyes of the heart, we become more aware of our interbeing with everything around us, the enormous wonder of reality.

In her 1982 essay, “Living Like Weasels,” Annie Dillard wrote about encountering a weasel and being “stunned into stillness…Our eyes locked, and someone threw away the key…the world dismantled and tumbled into that black hole of eyes.” Dillard’s description is very similar to my experience when the turtle’s eye met mine. I saw a depth there, felt what even might be called a wisdom. No longer merely an animal simply to identify and swim beside. I’d met another being with a history, a presence. When we looked in each other’s eyes, something in me woke up: the turtle’s life had depth and a way of knowing beyond my knowing–and one to learn from. I understood the turtle saw his life equally important to mine with his own interests and pursuits. Reality had expanded.

The encounter with the turtle was a gift, changing the way I see not only turtles, but animals and the natural world as a whole and my relationship to it. We can see the world as objects or we can look into the eyes of the world and see it as a marvel alive with presence.

Artists use their skill to help us see the world with the eyes of the heart to help us recognize the wonder that surrounds us that we might otherwise miss without their assistance in bringing it to our attention. Looking into the eyes of a live turtle paddling by, or into silky turquoise water the turtle Ann Pervinkler’s pillow swims through, or the tree branches rolling with wind along the road as you ride home from work–wherever you find yourself, the world is alive and is speaking. Open the eyes of your heart. Listen.

Maldives

You can explore more of Ann’s silk paintings here.

“The Curious Turtle” appears in my newest book, Buoyant, published by Bellowing Ark Press. If you’d like a copy, contact me and I can send you details of how to order one.

gardening, poetry, Uncategorized

An Invitation

“Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.” ― Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

At our house in California, we’re harvesting food. All year we work at tending the garden, digging compost into the soil, starting seedlings, planting, watering, weeding, and collecting seeds. From my front door I can walk out and place my feet on the soil. Living in a rural area as we do, our life is very different than it was the decades we lived abroad in mega cities. We savor the change, the opportunity to be enveloped by the natural world and its rhythms. Mornings, from the kitchen window we can see rabbits near the base of oak trees and birds pecking for breakfast in the yard. Afternoons, lizards run from planter box to planter box, hummingbirds slip between flowers, squirrels scamper up trees and wild turkeys wander through. Come twilight, deer come up the draw beneath the redwoods to wander out among the hillside oaks. Evening arrives and crickets sing outside our door, Great Horned Owls hoot. This is a world we cherish.

Though nearly everything in the garden grows in raised beds wired from beneath, though we have bird netting around our berry palace (as we fondly refer to it) animals inevitably find a way to get in. The grape arbor is alive with resonating bee song as the bees happily eat away at the fruit. Every living thing around us seems to love the food we grow, and they enjoy eating from our garden food as much as we do. This can become discouraging when working hard to grow something, only to have some unknown creature sneak into the garden at night to take a bite from your perfect tomato, then throw the remainder on the ground.

Nevertheless, we celebrate our garden and are transformed by it. It provides us exercise, offers beauty, and gives us food. From seed to harvest, the work is nourishing and rewarding. We’re grateful for our garden and the multiple delights it offers. Truly, as Robin Wall Kimmerer writes, the gardener develops a relationship with the land, and as in human relationships, when you give yourself to it, you see directly how the land nurtures and cares for you, how it loves you back through all the many gifts it brings forth.

 

Wonderful teachers, plants, help us understand the value of watering what we want to grow, making sure it has adequate light, the benefit of good soil, and allow us to comprehend how growth takes time; you have to be patient. It is a pleasure to watch vines lengthen, berries develop, and then to wait a few years for adequate growth to have enough berries to make a pie.

 

From the delight of dew on cabbage heads to illuminated lettuce leaves, the garden is full of beauty. Not everyone can grow their own food. It takes time and people have a lot of demands on their time. You also need earth close by that you can work in. Many of us live in heavily urban areas and aren’t able to be near land for gardening. Even a planter box on the window sill, however, can be restorative and bring us into a connection to the cycle of nature larger than the workaday world.

If this isn’t possible, then hopefully you can find time each day to go outside and savor the sun on your face, absorb the sky’s expanse, and notice the natural world around you, inhaling for a minute or two perhaps, as you stand by your door ready to enter the morning’s world, as you return from some place you’ve been, or as you sit by an open window in your home or work space. Allowing yourself these moments is to allow yourself to be held by the recognition that nature is wider than worries or fears we hold, bigger than our sorrows and our joys. It’s a gift to you can give yourself.

Cooking food from the garden and sharing that food with others is to become part of the interchange of care and nurturance. To expand this love of the earth’s abundance, my husband, Michael, and I are developing recipes with foods mentioned in my book A Space Between that I’m working to put into a small electronic cookbook. Michael cooks with his heart and the dishes he makes are as good as poetry. The food from the recipes is absolutely delicious.

Michael and I will be reading from A Space Between this Thursday, 1 October, 5:00 pm Pacific time for approximately 25 minutes. We will be reading on Zoom as part of the Poets Circle in connection with the Watsonville Public Library, here in Santa Cruz County. Follow this link to connect to join. Our reading will be followed by a second reader, Terra Summers.

You can read more about A Space Between here. You can order the book from a variety of sources: here at Small Press Distribution, at Bookshop Santa Cruz, or if you’re overseas and want free delivery anywhere in the world at Book Depository.

Barry Lopez in his children’s book, Crow and Weasel writes, “Remember on this one thing, said Badger. The stories people tell have a way of taking care of them. If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive. That is why we put these stories in each other’s memories. This is how people care for themselves. ”

I will be giving on Zoom together with Michael Citrino from my book, A Space Between, Thursday, 1 October at 5:00 p.m. Pacific Standard time. in conjunction with Poet’s Circle at the Watsonville Public Library.  Magdalena Montagne will be moderating.

Your listening presence is a gift. I look forward to sharing the excerpts from the book with you.  I hope you will be able to connect.

community, poetry, Uncategorized

Finding the Fragrance of Home

Hills of Soquel, Santa Cruz County, California

…you and I each
carry the other in a gesture here,
a phrase there, a sudden burst of laughter,
and we have changed one another

in ways we may never recognize
and these mountains are our witnesses.

–Michael L. Newell, from “Of Goodbyes, Memories and Eidolons”

Sumac, horned toads, lizards, hawks, jack rabbits, and hills covered in wild grass strewn with granite boulders, these were inhabitants in the desert homeland where I grew up in San Diego County.

I spent many hours wandering grassy hillsides of pungent perfume with wildflowers as a child, looking out across a wide valley to hills in the far distance. Those moments in quiet solitude indelibly shaped my sense of home. The world I knew as a child was a narrow one. We didn’t go anywhere on vacations, and though we lived twenty something miles from the ocean, our family went there but a few times, and only occasionally visited the Cuyamaca mountains, though they, too, were only a little over an hour’s drive away. We were people who stayed at home. As a result, the natural landscape was our companion, a blanket we wrapped ourselves in—a place we repeatedly explored. It was an open space to wander and explore, a place of deep connection.

Hills of eastern San Diego County, California

There is much to be said for the wonder of desert lands—the Earth’s exquisite beauty is revealed there with such openness. Deserts bring us in direct contact with Earth’s elemental form, the magnificence of mineral essence. Nevertheless, listening to stories about other parts of the US and learning about the world beyond the borders of my understanding, my curiosity grew. With the wish to experience something of the way others lived and saw the world, I left Southern California, moved to the Midwest, then to Northern California, and eventually moved abroad, where I lived and worked in six different countries over a period of twenty-six years.

Western Desert, leaving Taif, Saudi Arabia

Each place I’ve lived had recurring scents unique to that particular location. In Delhi, where I lived for nine years, smoke, Hexol, and paint fumes were dominant scents. In a city of 20 million, where approximately 200 thousand are homeless, in winter months people burn whatever they can find to keep warm—including wood from the forest on the ridge near Buddha Park, garbage, dung, and plastic. The smell of smoke in evenings was strong, often overpowering. Because of difficulty breathing, in addition to running three air purifiers in the apartment at all times, each night we’d put masking tape around our doors and pushed towels up under the door to help keep smoke out. When my husband and I returned to California each summer after teaching in Delhi, we’d spend a lot of time weeding in our garden, renewing planter beds, watering, and generally nurturing things back to life again. On the far side of our planter beds a stand of redwoods rise up from a gulch. One afternoon, while hunched over pulling weeds in the blackberry patch, the redwoods’ loam released a perfume—a warm woodsy, clean fragrance that felt nearly magical. I stopped what I was doing, stood up, and inhaled deeply. The scent was light and hung in the air, an offering of only a few fleeting moments. Then it was gone. Awareness of beauty is often raised by experiencing its absence. Inhaling the redwoods’ perfume after living for years in Delhi where I would never find such a scent, my heart opened to this gift from the trees and held it as a kind of sacramental moment.

View from my apartment balcony in New Delhi on a bad day of pollution

One fallen redwood leaf by itself, doesn’t create the perfume that stopped me from my work to acknowledge the trees’ presence. Such perfume arises as the result of thousands upon thousands of leaves that have built up over time in collaboration with the afternoon’s heat. Deep presence is an accumulated practice of letting go, a perfume of spirit, blessing all who are near.

Deciding to return to the US after living abroad for nearly three decades, many people asked, “Why now?” One of the central reasons was to reconnect to the land in a more integral way. There was more life to be lived, different lives to inhabit, and I wanted to step inside a new way of being. Life overseas opened many wonders and offered new insights. Returning to live beside trees and near wild space, however, would allow me to let go of firmly fixed schedules, dig my hands into the earth, and allow myself time to discover a slower, different rhythm where I might encounter a deeper truth about living and inner space could expand.

In his poem, “Estrangement,” from his new book, Wandering, Michael L. Newell writes, “I have lived so long among strangers / that I have become strange to myself.” Returning home after so long a sojourn is to find myself in the words of Newell’s poem. Entering in again to life in the country I was born into, refamiliarizing as well as familiarizing myself newly with its history and land, I’m made aware, again, of the contradictions between America’s actions and its ideals.

The place and earth we call home wants to be known, cared for and nurtured so it can continue to regenerate. Nevertheless, as reported by the National Geographic, among other things, the current US president during his office has given the go ahead to increased logging, reduced restrictions for clean air, and narrowed the definition of what constitutes clean water, as well as sold land belonging to national monuments to private businesses for mining and drilling, There is a long history of this way of thinking, as Lucille H. Brockway describes in her article, “science and colonial expansion: the role of the British Royal Botanic garden,” clarifying how Britain, (and the West in general) sought to manipulate plants and saw them primarily a way to advance their country economically and to control trade. The disunity we’re experiencing now in the US, resulting from centuries of ongoing oppression, fear and the anxiety reaches beyond the US borders to the world at large. Human oppression is not unrelated to Western culture’s treatment of the natural world.

View of the redwoods from our California garden

As Robin Wall Kimmerer says in her talk on Emergence Magazine, when you nurture the land, it expresses back to you its love in the life it gives you. This is true in human relationships as well. One of the poem’s in Newell’s book, “That Hand Which Was Never Withdrawn,” describes a child’s heartbreak and anger after experiencing a painful fight between his parents the previous day. The father, picking the child up from school reaches out to him, still in pain.

“We must talk sooner or later.”  His voice
was barely audible.  “I hate you,” I said.  “I hate you
and will never talk to you again.”  I glanced at him:
his face caved in, his eyes lost down the country road.
His voice floated up from some deep cavern or well
where people go when pain is too great for daylight.

“Michael, you will be my son for years.  No matter
what you say or do, you will always be my son.
And I love you.”

The poem poignantly speaks to our humanness, to our loss and brokenness, how difficult it is to transform ourselves in the midst of painful events, challenges, and histories that have hurt and divided us. We can see this in the child’s harsh words, “I…will never talk to you again,” words whose pain echoes in the father’s heart as his eyes drift down the road, before his voice lifts from the depths of his own wounded heart. The beautiful thing that occurs in this exchange, however, is the father doesn’t react in anger or spite. Neither does he deny the wounding that has occurred. Instead, he extends his love and tells his child, ‘“…No matter / what you say or do, you will always be my son. And I love you.”’ There is such tenderness given here, such wisdom.

New grape leaf budding on the vine in my garden

Both our human relationships and the land we live on shape and change us, helping to create the home we live in in our minds and hearts. Whether speaking of human relationships or the natural world, renewal and healing requires us to look deeply at the conditions that bring destruction, as well as the causes of oppression, fear and brokenness in the world around us, and then to work to rebuild relationships on foundations that allow both humans the natural world to flourish. Affirming relationships, as the father did in Newell’s poem rather than feeding the pain and anger, creates a bridge  to meet each other on and begin anew.

Carrie Newcomer writes in her song, “Leaves Don’t Drop They Just Let Go,”

Leaves don’t drop they just let go,
And make a place for seeds to grow
Every season brings a change,
A seed is what a tree contains,
To die and live is life’s refrain

What needs to be let go of in our actions or way of thinking again and again like the leaves of the redwood? What hinders our fullness and prevents our lives from being like the redwoods whose accumulated fallen leaves release the perfume of our transformed selves so that on days when someone who happens to be near can unbend from the strain of their hunched labor and inhale life’s blessing?

At the base of a virgin growth redwood, Soquel, California

 

Note: Michael L. Newell’s book, Wandering, can be ordered through Bookshop Santa Cruz, as well as through Amazon.