gardening, place, poetry, Presence, Uncategorized, Wonder

Wrapped in Green

I arise today
Through the strength of heaven:
Light of sun,
Radiance of moon,
Splendor of fire,
Speed of lightning,
Swiftness of wind,
Depth of sea,
Stability of earth,
Firmness of rock.
From St. Patrick’s Breastplate Prayer

After living indoors for weeks because of winter storms bringing record snowfall and ongoing rain or or working inside for months, when finally able to walk outside in the green world, we feel its life-giving qualities. Today, a pause between atmospheric rivers, was just such a day, making it possible to wander down a path in our area we’ve not walked before. It’s a delight to take a path, not knowing exactly where it goes, simply to follow it and see what presents itself. Wild flowers, leaf-perfumed air, and birds gliding through got me thinking about how the weather affects the weather of my inner garden. After a walk at Helen Putnam Regional Park, the weather in my inner garden is one of calm skies with soft light with the chance sprinkle of blossoms.

There is much to be said for the wonder of desert lands, the exquisite form that desert worlds reveal. Desert scapes bring us in direct contact with the Earth’s elemental shape, the magnificence of mineral texture, as in this overview in Saudi outside of Jeddah. As beautiful as the desert is, after months of gray skies and the hope of spring in the air, right now I’m longing for green. 

Nature’s green offers tranquility, calm, and restores a sense of wellbeing. New research at Cornell indicates that spend as little as ten minutes a day in nature can help college students feel happier and reduce mental and physical stress. Robert Jimison’s CNN article “Why we all need some green in our lives” states that a “2016 study found that living in or near green areas was linked with longer life expectancy and improved mental health in female participants. Another eight year study of 100,000 women showed that those “who lived in the greenest areas had a 12% lower death rate than women living in the least green areas.”

Lucille H. Brockway’s, “science and colonial expansion: the role of the British Royal Botanic garden,” clarifies how Britain, (and the West in general) has historically viewed the plant world as an object to be manipulated for bringing economic advantage. Michael Moore’s film, Planet of the Humans, directed by Jeff Gibbs, further demonstrates this idea, emphasizing the dire situation we have brought ourselves into as a result of not living in union with nature in a regenerative way. When the natural world is viewed as merely a backdrop, our spirits become impoverished. It takes time spent in the natural world to be able to hear its language. In his poem, “The Language of Trees,” Eran Williams writes,
 
When we hear the language of trees,
will we hear the season’s pulse,
and find the heart’s beat is but an echo?
 
Nurturing our relationship with nature, as with any relationship, helps us understand its language and way of being. Observe something closely across a period of time, and you will hear the nuances of its voice, discover  its moods in greater depth and detail. We grow in recognition of how our life is connected to the natural world. 
 
There’s a variety of ways we might nurture a relationship with the natural world. Santa Cruz’s Brighton and Jim Denevan’s sand art could be a starting place to encourage you to create our own environmental art. To begin more basically, you could choose to draw a few lines on paper that represents the textures of the sounds around you, or you could photograph patterns or textures in nature, or write a dialog with a neighborhood tree or back balcony flower. You might create a piece of music based on the tones or rhythms in a the landscape or skyscape, or simply create questions about something seen or heard. Alternatively, you might begin learning the names of plants in your neighborhood, find out if they are native or nonnative plants and why that might matter. You might join together with others to go on walks or to appreciate something in nature such as ferns, rocks, or clouds as do those who have joined the Cloud Appreciation Society.
 
 
As we search for a closer connection and understanding of the natural world, we gradually grow into relationship with it. Nurturing a connection to the natural world nurtures our inner landscapes and garden. When we take care of the earth, it takes care of us. In her poem, Today’s Book of Delights, after Ross Gay, Teresa Williams writes
 
He is right; if we choose to look,
we just might believe it’s there
in the first chirp of the day and the body awakening to hear it,
in the black wings weaving through champagne leaves,
 
This image is a beautiful one, the kind of image we hope to meet when we go out into nature, but recognizing our connection to the natural world also includes embracing the whole of what it means to be part of the natural world. As the poem concludes, Williams writes about delight even in the midst of diminishing life,
 
or each small note from the universe
and its cheerful persistence, even today,
with a new tumor on the back of my dog’s leg,
to encourage delight
in her oblivious exuberance, and let that be
what sustains me.
 
How difficult it is sometimes to keep on tending our inner gardens when pain or rain, storms and sorrows keep coming. As Willams writes, however, observing and listening to the small notes from the universe can help sustain us.
 
Let the sounds of the Sea of Japan and the gibbon calling in Indonesia carry you across the world. Listen to the sounds of cicada in the Australian bush, or millions of monarch butterflies taking flight in Mexico (flight starting at about 3:40 seconds into the video,) or nightfall on the Zabalo River in Ecuador (scroll to the bottom of the screen page.) Did you know corn “talks” as it grows and that ice can sing as can sand dunes? Listen to the voice of dunes in Colorado and Morocco.  David George Haskel, author of The Songs of Trees, writes how plants help define acoustic quality of a landscape and he has recorded sounds of trees in different time zones and different parts of the world. You can listen to his recordings of a cottonwood at Confluence Park, Denver, and a Green ash in Sewanee, Tennessee or record sounds in your own neighborhood. Rain taps on the roof, wind rustled branches, frogs serenades in spring, there are so many ways nature brings the world alive with sound. Scientists are doing some very interesting things with translating electrical impulses from plants into music. Listen to the rings of a tree as a camera reads the grooves and turns them into notes,  and find a new way to perceive the natural world. Also truly amazing is how you can hear various sounds of our solar system and a compression of 760,00 years of the universe via instruments that pick up and translate radiation belts, solar flares, the big bang into sound. We only have sound here on Earth because Earth has an atmosphere. We can explore more of the planet and universe’s sonic scapes  or listen to how Harvard scientists have translated 400 light years across the Milky Way, the Crab Nebula, and the Supernova 1987A into sound.  The garden of life is immense and imbued with marvel.
 

Poets listen closely to the world around them, interpreting what they mean for how they might take us into the heart of ourselves and the world we inhabit. In the 1994 film, Il Postino, the characters of the postman and Pablo Neruda record the local sounds of their island, with the purpose of helping the postman use metaphor to write a love letter. The earth speaks to us. Listening closely to the earth helps us to write a love letter to being alive.

What are the sounds of your home that have written themselves on your heart? Acoustic ecologist Gordon Hempton says the art of listening is dying but we can open our windows or doors or simply sit calmly in our house and listen. What love letter of the earth do you want to hear over and over. When you listen to your heart’s garden what does it tell you? As Louis Armstrong’s song reminds us, it’s a wonderful world with so much to explore.

poetry, Presence, spirtuality, Uncategorized

Waiting Through Winter’s Uncertainty

Days grow shorter, light diminishes. Winter is on its way. Typically, people don’t like to live in sparse times, waiting in uncertainty for the light of clarity to surface. Winter is a yearly, returning reminder that clarity and the full embodiment of things we hope for takes time. We wait for love, wait for fulfilling work, for the results of a medical test, or acceptance of a visa, wait to learn if we are admitted into a school or workshop we applied for. Along with waiting comes uncertainty and questions about what the results of our waiting will be. Though it might feel difficult or even unnecessary to wait as long as we sometimes do for what we long for, things of value frequently take considerable time before they surface into our lived experience. Bread baking in the oven, the creation of an art piece, coordinating movements in a dance, the birth of new understandings, the growth of a tree and friendships, or the formation of a human life–all these take time. Their development is slow, and requires waiting.

Waiting also implies a period of uncertainty. It’s not a given when planting a seed that life will grow, that an employment position you applied for will be given you, or that a relationship with a person you love will endure through time. Things can get complicated. Accidents can happen. Waiting can carry you into liminal space between worlds and ways of being where one life is actively fading away or has died, and the arrival of a different life is still on its way. The between state of change requires us to leave behind the way things once were and to learn whole new ways of being in the world. When standing in this doorway between worlds for extended periods of time, the experience of uncertainty can be difficult to cope with as it requires us to recognize the ground we stand on isn’t firm.

Ellen June Wright in her poem, “Salt,” exemplifies this idea of uncertainty.

Did we judge her too harshly, Lot’s wife,
walking away from everything she knew?
We become attached to places and possessions
in ways we never imagined. Our feet drag
when we think of leaving the familiar
as though they pull against a magnetic force.
No matter how dismal, the unknown
is more terrifying than the known.

Wright’s observation seems accurate. It’s true that the unknown is typically more terrifying than the known. Most of us would respond as Lot’s wife did when living a place we once called home. After all, she’d raised her children there. We feel attached to the places we’ve lived and look back at the worlds we’ve left behind, longing for them still, even though we might have escaped from a place, relationship, or experience in order to save or improve our lives. We build memories and relationships in places we’ve lived, and these give life meaning. We can picture what our own very human reaction in the story of Lot’s wife would be, and identify with her.

The trajectory of creation itself is toward continuous change and transformation. From rock slowly being worn into sand, to trees waiting for rain during drought, enduring the wait while change makes its way through the subterranean world of existence, is an integral part of physical reality, and is certainly a central part of human experience. From the heartbreaking opening poem, “New Dress,” in Linda Hillringhouse’s book, The Things I Didn’t Know to Wish For, where a young girl waits with anticipation for her parents to return home so they can see her adorned in a gloriously stunning dress she’s wearing, only to have her mother walk directly past her with no comment, and without noticing her whatsoever, to the book’s final poem, Hillringhouse’s book is filled with poems vividly expressing the longing inside our waiting for attentive human connection and care in a world that is often disheartening, and stings with disappointment. As Hillringhouse writes, in “Nieves Penitentes,”

The snow is falling
as if it’s forgotten to stop:
Maybe the mind
that keeps mountains
upright and oceans
in their bed
is setting up some new venture
and I wish I could begin again,
born in a bird’s mouth
in the drunken forest,
into full being,
not some stick figure
stilting around an empty lot
scratching messages in ice.

How accurately Hillringhouse names the longing experienced while waiting to become more than what we see our lives are at a given moment. We want to express something meaningful with our presence, but instead we imagine ourselves unnoticed or isolated while trying to scrape out meaning in a frigid environment where we feel whatever we say will eventually melt away without significance to anyone. We yearn to be a person able to feed that essence in us that allows us to sing and soar above the earth, that something that when it arrives will enable us to be a rich, deep-rooted presence rocking and swaying with verdant life, the tops of our tens of thousands of leaf-tipped branches of creative effort reaching into the heavens, inscribing their wonder. But we’re not there yet, and as the word penitentes in Hillringhouse’s title suggests, waiting for those hardened blades of snow to melt and become something other than what they are can feel like torture.

Living with uncertainty implies a longing for completion. But when does the completion of a canyon or a forest occur? Rivers carve canyons over millions of years and continue carving. A forest can take a thousand years to come into being and continues to regenerate if not disturbed. These are ongoing natural forces. Like the shifting formation of fluid shapes a murmuration of starlings create, since the start of the universe, everything that exists has been slowly evolving. When things arrive at a stage of completion, another cycle of beginnings starts and the evolution, transformation, resurrection or reincarnation (there are so many ways to name it) continues. From a certain perspective, nothing is ever completed as everything, both material reality, and the subtler forms of energy, thought and emotion, are connected to a longer process of transformation. The death or completion of anything is merely the birth of another life that depended on what came before in order to give it new form.

Storyteller and mythologist, Michael Meade, writes, “There are old stories that show that if the world was ever completed, was ever made perfect, that would be the end of [things]…this world and each person in it remains an unfinished project, and remains because of being incomplete….The impossible tasks, the broken hearts, the utter failures actually sustain the world.” What an astonishing thought! Incompleteness is necessary to life! If being alive requires everything to be in a process of change, and therefore by definition incomplete, then finding a way to befriend and honor our incompleteness, our longing for growth and wholeness, of which uncertainty is a natural partner, seems like a worthy thing to pursue.

Lot’s wife, fleeing her home in uncertain, traumatic circumstances, looked back to her disappearing world. As the story goes, she was turned to salt as a result. It’s a disturbing story. If we look at the story with a different lens, however, it’s worth remembering salt is a beneficial element. It seasons food, functions as a preservative, and can help heal wounds. Preserving the memory of our journey toward the self we are reaching to become is important. As she’s not even given a name in the version of the story we’ve received, we don’t know that Lot’s wife wanted to leave her home or if she was forced to do so without understanding the necessary circumstances. Perhaps the salt pillar she became is the solidified tears she shed in memory of the trauma endured in leaving a home she knew and loved, a monument to the effort it takes to leave a place you once belonged. When leaving something or someone we loved, we die to the life we once lived and enter a new life.

As Ursula LeGuin wrote, “It is good to have an end to journey toward; but it is the journey that matters, in the end.” However we arrive at the place in life we now stand, finding a way to honor our journey as we scratch our way through the icy experiences and what we’ve left behind in order to enter our new life seems valuable. I invite you to celebrate with me winter’s darknesses and, evoking Hillringhouse’s book title, all the many as yet unnamed things we don’t know to wish for. Perhaps it will be a salt that helps to heal wounds while waiting, that preserves and sustains us through uncertain times as we are birthed and rebirthed into the fullness of our being.

poetry, Presence, Uncategorized

Entering a Country of Silence

There is a voice that doesn’t use words. Listen. ~ Rumi

Looking out my window this morning, I realize that while the weather here on California’s coast is amenable, a stiffening cold has settled in across a great portion of the nation. Hundreds of thousands are without power in the US, and more snow is on its way in the next few days. Winter is still very much with us, and for many people in many ways it seems winter has been going on for a long time.

A season for slowing down or even stopping, winter, while it may sometimes be bleak and difficult, can also be a space for going inward–for listening to the silence and for noticing what touches the heart and waits there to be noticed. The natural world is imbued with silence–snow’s heavy quilt in winter, a desert’s dunes, the forest world, vegetables growing in a garden with clouds floating through, rocks strewn along a pathway–the very earth itself. Everything that exists rises out of a space of silence. “Silence is not the absence of something but the presence of everything…silence, like the art of sculpture, is the removal of excess material so that the true form — of one’s consciousness, of the world, of life itself — can be revealed,” states Gordon Hampton whose work has been to record the earth’s most silent spaces. Maybe this very absence of continuous movement, our being stopped in our tracks, so to speak, is calling us to a place of deeper presence, the stillness itself an opportunity for greater awareness.

We’re living in a period of reduced movement as a result of the pandemic. Fewer of us fly across the world and many of may be driving less often as well. While working at home, it may be that I don’t speak aloud for hours as I read, write or do chores. Outside the window birds flutter at the feeder. At night the tongues of stars speak with a silent, silvered light. All can seem quiet on the surface, nevertheless, I notice that it’s not necessarily true that lack of speech means I’ve entered through a door of silence. My mind likes to jump restlessly from thought to thought as if on a pogo stick. Sometimes I have to go for a walk just to grow quiet. To be fully quiet, to hold one’s entire mind, heart, and body open as if it were a listening ear is challenging. Pablo Neruda in his poem, “Keeping Quiet” writes,

If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.

During winter things beneath layers of cold or snow can seem dead, but much is going on inside the earth. Inner life is connected to external life. Making plans and setting goals, these are valuable activities but as Neruda suggests, the earth can be our teacher. Ongoing and endless production and activity isn’t necessarily life-giving in the end. Eventually, resources run out. What rests beneath the surface of all our action rises to our awareness because we have finally stopped moving enough to notice it. Silence is integral to growth and shifts of consciousness and understanding. When the huge silence arises, Neruda suggests, we can turn to the earth to teach us how to move out of ourselves into a place of greater connection to life. Like the seasons rotating through the year, we too can create seasons of quiet, letting the leaves from branches of activity drop long enough to allow a quietness to enter and renewal to occur.

Sitting on my front porch in the morning, I hold my cup of tea and quietly observe the day for twenty minutes. This morning while sitting in the coolness, I noticed small buds beginning to appear on the buckeye tree, the rich, the illuminated green of chard and pineapple sage poking up from the garden beds, the nuthatches, chickadees and California scrub jays fluttering at the bird feeder, a gray squirrel scrambling up the pine trunk, thin clouds scudding through overhead. With this gentle entrance to the day, I’m reminded of my connection to a world wider than my concerns or the list of things I might want to accomplish.

The natural world is nonjudgemental, and as a result, nourishing. It can carry us into the place of embodied silence. Larry Ward, in his book, America’s Racial Karma, describes actions that reground the body and “reset the nervous system.” Some of these are looking around the space wherever you are and paying specific attention to what you observe, giving attention to the sounds around you, naming colors you see, and noticing your skin temperature. Ward also suggests purposefully greeting the day by going to a chosen spot out of doors where you feel the earth beneath your feet and the sun on your skin, then doing a slow 360-degree turn, noticing what you feel while listening quietly to the sounds in the world around you. Silence creates a pause in action, a gap inside which we can reground ourselves and grow more aware. These practices can help the mind and body calm and come more readily into stillness so we can enjoy the silence.

Daniel J. O’Leary in Year of the Heart writes, “To learn how to wait, how to be silent, how to befriend the dark…Thus do we prepare to be creative. There is a waiting, a silence and a darkness in all birthing. Heart’s winter is already a filling womb.” Out of silence and stillness a different kind of conversation with life has the possibility of emerging. While waiting for spring to arrive, we can hold a space each day for silence, observing the world with open eyes, listening to the world around us with the ears of our hearts. Entering into a place of silence we can slowly discover a new way of being in the world.

poetry, Presence, spirtuality, Uncategorized, Wonder

Day Dreaming With Clouds

Have you noticed the clouds lately–their capability for wideness, their sweeping, rippled texture, their billowed softness, the world of wideness they can bring you to? As a child, I remember lying back on chairs outside our house and gazing up into the sky, naming the shapes of clouds as they drifted by. A dog or dragon, boat or mermaid, a lot of time could be spent looking at clouds’ evolving shapes, their appearance, transformation, then disappearance into the beyond.

Clouds are sometimes spoken of negatively–clouded thoughts, a cloud hanging over someone, clouds on the horizon–but clouds can also lift us, carry us to a places we long to go in our imagination–someplace light and gentle, a place of expansiveness or wonder.

Danna Faulds, in her poem, “Walk Slowly,” writes,

It only takes a reminder to breathe,
a moment to be still, and just like that,
something in me settles, softens, make space for imperfection

Cloud gazing can do this for us–bring us into a place of open quietness where, absorbed in our observation, the sense of time passing dissolves into a state of oneness with what we’re observing. Returning to California after living in New Delhi, India for nine years where seeing clouds in a blue sky was uncommon, clouds in a blue sky catch my heart, stop me still. Now because people need to stay at home more often and because many face difficulties regarding illness, additional stresses at work or loss of work because we are in the midst of a pandemic, it’s good to remember we can look up to receive the soft presence of clouds. As Faulds later goes on to say in her poem,

I can make the choice
to stop, to breathe, and be, and walk
slowly into the mystery.

If you’ve ever been stuck while trying to solve a problem, then stepped away from it to take a walk or simply changed locations by moving into the backyard, out onto a balcony, or into the street, and stared up into the sky, you might have experienced how this shift where you let your mind wander allows for a new idea to emerge. ‘“When one gets stuck on a challenging problem, rather than forcing the mind to work it out consciously, it is valuable to allow for daydreams to occur,”’ says Markus Baer,  Olin Business School’s professor of organizational behavior speaking to Inverse magazine. Day dreaming assists creative thinking. What we instinctively knew and enjoyed as children when staring up into the clouds opens our mind to different pathways. Restful awareness is good for us.

Sometimes appearing like apple blossoms in an orchard, sometimes the billowy expression of mountainous joy, in their wide variety of forms of cumulous to cirrus, contrails to lenticular, clouds can evoke in us an enormous range of emotional responses. Gazing at them we sense their weight, their ease. Mesmerized by their capricious, shifting forms, clouds have the ability to take us beyond worries and routines, pull us out of ourselves and the activity in our mind to slip into a space where we’re not thinking about the passage of time or anything else. We’re simply present.

At a time when many are wishing to travel, to step out into a new adventure beyond familiar walls, simply by looking up, clouds can take us on a journey allowing us to look at the world with new eyes. As Gavin Pretor-Pinney, founder, Cloud Appreciation Society says, “Nothing is more nourishing, more stimulating to an active, inquiring mind than to being surprised, being amazed…You don’t need to rush off, away from the familiar, across the world to be surprised. You just need to step outside.” What a beautiful spaciousness to return to.

Once while visiting Crete during the spring, I sat for a long time at the mouth of the Samaras Gorge mesmerized by clouds appearing, changing form and dissolving into the blue every few moments, their presence completely ephemeral. We, too, are part of that floating world, forming, expanding, dissolving, always being made and remade.

Appearing, disappearing. Illuminating, hiding and revealing, there is a mystery in clouds. First we see and then we don’t see the trees and mountains they touch. Clouds are an embodied metaphor of the myriad things we have mere glimpses of understanding. There’s so much we don’t know or understand about what it means to be alive. As D.H. Lawrence writes in his poem, “Terra Incognita,”

There are vast realms of consciousness still undreamed of
vast ranges of experience, like the humming of unseen harps,
we know nothing of, within us.

when at last we escape the barbed-wire enclosure
of Know Thyself, knowing we can never know,
we can but touch, and wonder, and ponder, and make our effort
and dangle in a last fastidious fine delight

Staring at clouds can draw us into an awareness that there are immeasurable realms of life outside of our experience. We are part of a vast intersection and abundance of universes. We swim in creation’s wonder, like water it moves in and through us. The two are intertwined.

TERRA INCOGNITA
D.H. Lawrence

There are vast realms of consciousness still undreamed of
vast ranges of experience, like the humming of unseen harps,
we know nothing of, within us.
Oh when man has escaped from the barbed-wire entanglement
of his own ideas and his own mechanical devices
there is a marvelous rich world of contact and sheer fluid beauty
and fearless face-to-face awareness of now-naked life
and me, and you, and other men and women
and grapes, and ghouls, and ghosts and green moonlight
and ruddy-orange limbs stirring the limbo
of the unknown air, and eyes so soft
softer than the space between the stars,
and all things, and nothing, and being and not-being
alternately palpitant,
when at last we escape the barbed-wire enclosure
of Know Thyself, knowing we can never know,
we can but touch, and wonder, and ponder, and make our effort
and dangle in a last fastidious fine delight
as the fuchsia does, dangling her reckless drop
of purple after so much putting forth
and slow mounting marvel of a little tree.

pilgrimage, Presence, Uncategorized

Waiting and Transformation

image

WAITING
Anna Citrino

The heat rises each day in Delhi now, and the trees
on my street have lost their leaves. The branches,

gone barren, crave a new life. They hold open the palms
of their hands in yearning. Hour after hour, the sun

kisses their fingertips saying, “Not yet, keep going.
Keep on,” as the trees breathe in the circling birds,

and breathe out their emptiness. They want to blow
open in sirens of life, to scream like a child in wild glee,

want to turn on the colored search lights, to shout out
the story of a yellow Eden. They want to sing

in a ten thousand blossomed glory, setting fire
to the air. But they don’t.

They wait. Day by day, a pyre of sticks, they stand
quietly shriveling into the sidewalk, as if

they understand the silence, the humility,
out of which life finally speaks.

Landscapes can embody both longing and renewal. When I lived in New Delhi, a tree grew along the roadside in front of the school and in the courtyard inside the front gate. As the year moved toward spring, I noticed the trees beginning to lose all their leaves, just as it seemed to me that they should be bursting with life. I thought the trees were dying, and felt very sad to see them go–all of them alongside the roadway drooping and bereft of leaves.

The trees were not dying, however, though they appeared to be. They were actually getting ready to burst forth in blossom. By May the trees, the cassia fistula, had become enormous clouds of brilliant yellow clusters of flowers cascading down from the height of their branches. Their vibrant color embodied New Delhi’s intense May heat where temperatures climb over a hundred Fahrenheit (in the thirties in Celsius) accompanied with May’s monsoon season humidity. Like drifts of yellow sun, their blossoms fell in thick drifts along the roadside. It felt like the trees had to lose all their leaves in order to make way for the myriad blooms.

Some people liked to call these trees the graduation trees as their blossoms arrived at about the same time as the school year’s end. People would leave school to ride out into their summer holidays and their new or their other lives, accompanied by the generous beauty of these trees celebrating their long awaited for transformation. I learned from these trees behavior that what is true in one environment doesn’t always hold true for another, and that sometimes things that appear to be dying might actually be making ready for something entirely new to occur, even, perhaps, something glorious.

 

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It’s a fortunate coincidence that the tree blossoms at the school year’s end, a time when tired teachers are very much in need of a boost to carry them into a time of rejuvenation and restoration before beginning a new school year.  It isn’t only teachers that need renewal, however. Many people carry on through years of work holding up their families, nurturing other people’s health or hold the safety and wellbeing of others in their care, and must find how to sustain themselves and others through long periods of time. Whether its for graduation, a job, retirement, better health, a word of encouragement or a hand of support, we are often awaiting renewal like the trees, preparing and storing up reserves for the arrival of that transformative time.

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Often, when we put closure to certain phases of our lives, people like to know what we’re going to do next. We don’t have to know everything about our future though as we move toward change. We each have our our own way of opening and can allow ourselves to learn how to unfold in our own time. Success and the continual idea that we must be doing something so we can be called successful or call ourselves successful can make us deeply unsettled, and can prevent us from living satisfying lives. To wait on ourselves, and to listen deeply to the rhythms and needs of our lives is important to living meaningfully and with contentment. Before bursting forth into blossom, nature practices stillness, goes into her dark place and can look as if she’s dying. Like the cassia fistula, we can hold back, listening to our inner selves.

Several years back now, the first blog post I wrote on this site spoke about the mandorla, the ancient symbol that can be found in cathedrals’ stained glass where two circles or ovals overlap. The overlapping portion symbolically represents that area where wholeness develops, and growing into oneness occurs. As Robert A. Johnson explains in his book, Owning Your Own Shadow, the Dark Side of the Psyche, “The message is unmistakable; our own healing proceeds from that overlap of what we call good and evil, light and dark. It is not that the light element alone does the healing; the place where light and dark begin to touch is where miracles arise. This middle place is a mandorla, ” The shadow times, times we’re seemingly dying but are still living, the times where all is still and it seems nothing at all is happening as we wander and explore, aiming to understand experiences, feelings or ideas are important to our inner growth and wellbeing. “Only awareness of your shadow qualities can help you to find an appropriate place for your unredeemed darkness and thereby create a more satisfying experience. To not do this work is to remain trapped in the loneliness, anxiety, and dualistic limits of the ego instead of awakening to your higher calling,” writes Johnson, explaining how important times of emptiness are for our inner lives to grow.

We live inside a mandorla–a world where opposites overlap. Whether change occurs slowly or quickly, our lives are always in transition, moving from one world into another. The stillness and space between the oppositions in our lives is where we learn how to transform our lives and periodically allow ourselves to eventually burst into blossom. While we search for the boat of insight that will carry us to the other side of understanding, we can practice being still and enjoying the moment we’re in.

 

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Presence, spirtuality

Confronting the Essential

Washington TreesSome time back I remember listening to Naomi Shihab Nye talk about what it’s like writing a poem on Bill Moyer’s Language of Life series. Sometimes you set out to write your poem and you think you know where you’re going. “You think you’re going to church,” she explained, “but instead your poem takes you to the dog races.” When writing, you have your ideas, you practice writing, but you also don’t want to make a  habit of forcing the work. It’s also a good idea to follow where the muse leads, and  sometimes a more powerful piece of writing results. You want to pay attention to the inner voice that suggests, maybe this other thing is a better idea.

Recently, I’ve been noticing how many other kinds of situations in life arise that are similar Nye’s description of what happens when sit down to write. You go to work each day enjoying your job, for example–finding it interesting and productive, and then people come along with a different ideas–a whole new system, for instance, of how things should be done. Suddenly your plans, your way of seeing things, are altered. Or perhaps you are out exercising regularly, doing what you can to stay healthy, then you go to the doctors for your check up and discover you need a biopsy for what might be cancer. Another possibility is that you spent your life working at your job, being responsible and saving your money for your last years so that you can spend them enjoying your retirement, but then one of you has an accident and the other one spends his or her final years caring for the one who fell ill. The business you work at might unexpectedly be sold and  you might suddenly find yourself out of a job. A different possibility might be that the person you’ve been married to for 20 or 30 years, had children with, the person whose life history you know and whose foibles you love and accept comes home one day and tells you, “I don’t think this marriage is going to last.” All these stories and more like them have happened to people I know. You think you’re on track, you know what you’re doing, but then something else happens and you’re heading for the dog races. What then?

There is an old Zen story about a farmer whose horse runs away. All the neighbors tell him, “Oh, such bad luck! That’s terrible.”

The farmer’s reply is, “Maybe. We’ll see.”

Next thing you know, the horse returns to the farmer’s land, and not only that, he brings seven more horses with him.

“Wow, that’s wonderful,” his friends and neighbors tell him. “Look at what you have now! You’re so very lucky.”

The farmer hears their words, and simply replies, “Maybe. We’ll see.”

Because the new horses were wild, they needed to be tamed, so the farmer’s son went out to tame them. In the process, he was thrown from one of the horses and broke his leg. “Why, that’s terrible,” the farmer’s friends and neighbors said as they gathered together in the evening over tea. “What bad luck you have again,” they said. “How are you going to get on now?”

The farmer just looked at them and said, “Who knows? We’ll see.”

A short time afterwards military officers arrived in the village looking for able-bodied young men they could find to fight in a war the government was involved in. They looked throughout the village for all those young men who were fit and conscripted them into the army. When they came by the farmer’s house, they saw that his son had a broken leg and couldn’t fight, so they passed him by.

Yet again, the neighbors gathered round the farmer to tell him, “How lucky you are! Your son doesn’t have to fight in the war.”

Once again, the farmer replied, “Maybe.”

As you can see, this story could go on at some length, event after event looking first good, then alternatively terrible. I think there comes a time in all of our lives when we are confronted first with things that look absolutely terrible. Maybe we will lose our sight, or the use of our limbs some day. Maybe we will get Alzheimer’s. Maybe we lose our house. Maybe the country we are living in is suddenly moves toward a situation of unrest, or a natural disaster occurs that is devastating. We develop our plans for our lives. We have our dreams, and we want things to go a certain way. What can we do to prepare ourselves for loss, for enormous change, or even just inevitable change? How can we be open, however, to the possibility that when our future or even our day takes to the dog races instead of to church, we will know what we need to hold on to, and what let go of?

Maybe you have heard of Sue Austin, a woman in a wheelchair goes diving. To hear her speak is inspiring, and to see the photos of her swimming underwater is truly beautiful. You can watch her TEDTalk, and you will see for yourself. Ms. Austin’s goal is to change the way we see a person in a wheelchair, and to show how a wheelchair can also liberate and open up new possibilities in a person’s life. As the tale with the farmer illustrates, what looks so terrible might not necessarily be as bad as it seems when put into a different context. Maybe the thing that looks like the worst thing that ever happened to us could become the thing that saves us, similar to how the farmer’s son didn’t have to go to war because of his broken leg.

On the other hand, it could be that what happens to us might be worse than we could ever imagine. Nevertheless, again, as the story illustrates, things always change, even the terrible things can change. It’s true that we could lose our jobs. It’s true we could lose our health. These kinds of difficult changes make me wonder: what am I doing with my life? Am I living the way I want to be living in order to be accountable for the gift of life that God has given me? What motivates me? What is calling to my spirit to follow it? Am I bold enough to pursue it? What would happen if I did?

There is a wisdom of the heart, and there is practical wisdom. What is the wise thing to do? What do you want to get to the end of your life and say you lived for. Henry David Thoreau went to live at Walden pond as an experiment in living simply, “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” I am thinking very seriously about his choice. How much of what I am doing is noise and clutter getting in the way of what life is really trying to tell me about? You hear or perhaps have seen or known people who have had what has been termed a mid-life crisis where they are asking themselves what they are really doing underneath all the actions and choices they have made thus far in their lives. What have they built with their lives, they wonder? Who am I? Maybe we need to be asking ourselves these question all along in our lives so that we can live more authentic lives throughout our lives and not have to come to the point of a crisis.

We want to live our lives from the center of who we are, and that means taking time all along to know who we are, to listen. This is why it’s valuable to take time each day to pause, to offer gratitude, to reflect. Richard Rohr in his CD Healing Our Violence Through the Journey of Centering Prayer says, “All great spirituality teaches about letting go of what you don’t need and who you are not. Then, when you can get little enough and naked enough and poor enough, you’ll find that the little place where you really are is ironically more than enough and is all that you need. At that place, you will have nothing to prove to anybody and nothing to protect.

That place is called freedom. It’s the freedom of the children of God. Such people can connect with everybody. They don’t feel the need to eliminate anybody . . .”  In some way, most of us are afraid to let go of the security of our jobs, our houses, our hometowns–the things that have formed our identity. Rohr, in Everything Belongs: The Gift of Contemplative Prayer has an interesting insight, however, regarding those who leave the beaten path, those who begin their experiment in living to confront the essential facts of life in order to live intentionally. “The people who know God well—mystics, hermits, prayerful people, those who risk everything to find God—always meet a lover, not a dictator.” Is this true? Seamus Heaney’s final words to his wife were “Don’t be afraid,” and losing the one I most love is going to be the hardest, most fearful thing some day. ““The most common one-liner in the Bible is, “Do not be afraid.” Someone counted, and it occurs 365 times,” says Rohr in Falling Upward.

photo-20Things change. What we think we are standing on may move. At some point we are going to lose everything–we will lose our own life and the ones we love. But we don’t have to be afraid. How am I going to get to that space? I’m thinking hard these days about what I’ve held on to thinking that it will bring me happiness. But what is real? What are the essential facts of life, that if we learn them when we come to die, we will know we have lived? That is what I want to have the courage to live for.

Presence

The Value of Nothing Much

Today is one of those days when nothing much happens. Outside the sky is gray, the fan in the hallway drones, birds land on the roof momentarily and then lift off only to land on a perch a few feet away. It’s not a day to make great plans or accomplish anything. It’s a day to sleep in, draw, read, bake bread, swim, go for a walk–a day to savor sinking down into the humus of being and rest in the arms of living where there are no set schedules, no timelines to meet. It is a day to remember that being human, the gift of being alive is an unmeasurable essence, important beyond the list of what you want to accomplish.

Recently, several friends and acquaintances have had to make emergency trips to the doctor. One person experienced a heart attack and will need to change his profession. Another friend, after her bout in the emergency room told me that she realized that you can do all the right things for your health–eat right, exercise, rest, but in the end you aren’t necessarily in control of  your life. Things can happen. Taking a down day, a sabbath day one day in the week, where you do no work, is a way of purposefully letting go of the world that tells us that we need to have control over all aspects of our lives, and that meaning is found in what we produce and consume, that we must always be “on” and on top of all we do. Purposefully setting time aside where we chose not work is challenging in a world where we are encouraged to be forever task and goal oriented, where we are threatened with the idea that if we don’t keep climbing  we won’t stay up or catch up with the rest of the world. There won’t be enough of whatever it is we want left for us. We won’t be “good enough” any more. To stop working is to begin to live in a different kind of time where time is not money, but a gift. We can begin to see the world around us and become more aware of nature and its gifts, given not through our own efforts or because we deserve it, but freely available to enjoy–a kind of grace to open our eyes to.

We can point to practical reasons to step away from work. For example, recent brain research teaches us that taking time out from a project we are working on allows the creative mind to work at a different level. Aha moments often occur during these times when we’re not intentionally working on a project. Since I’m between creative projects right now, some serious downtime could help me think of how to start my next project. Rest also helps the brain to restore itself.  Scientific American’s article, “New Hypothesis Explains Why We Sleep” suggests that when we sleep, the synapses in our brains weaken, possibly so that they won’t become “oversaturated with daily experience and from consuming too much energy.” This, scientists believe, helps to aid memory.  Rest strengthens us! More important than downtime being useful for the creative mind and memory, however, is the fact that we need rest so we can reconnect with our bodies and remember the importance of being.

As pointed out in this interesting video on materialism from the Center for a New American Dream, our culture has an imbalance in looking to materialism and consumerism as a way of trying to meet what are essentially emotional needs. A more satisfying way of living might be to take time to build community and meet with friends–to build deeper connections through conversation so that we know in our hearts that we truly matter to others. Consumerism and materialism breeds a sense of lack. Time with friends breeds a sense of community and belonging, allowing us to feel more content.  We can also take quiet time for ourselves that enables us to restore our inner selves so we have a self who can continue to give ourselves to others and to our work with an open heart.

If taking time out of the week for rest and restoration calls out to you, know you’re not alone. The Sabbath Manifesto, is a group that encourages others to unplug and get out and enjoy life by getting outside, meeting with others to eat, light a candle, and find ways to give back. The Abbey of the Arts, is an online community directed by Christine Valters Paintner, whose aim is” to nurture contemplative values, compassion and creativity in every day life.” One of those values is to “commit to finding moments each day for silence and solitude, to make space for another voice to be heard, and to resist a culture of noise and constant stimulation.”  When you think about it, it’s a radical thing to do.  Learning to let go and to regularly step inside the place of being can be one of the great life gifts you give yourself.  It is a rare and wonderful gift indeed. Savor it.

Presence, spirtuality

Gifts of the Hands

Hard work is good for us. It teaches us the value of what we have and it builds character. My mother used to say, “Do something hard every day. It builds character.” There are so many things to learn and do in life–the world is full of a myriad of possibilities, and it’s satisfying to rise every day with a purpose set before you. Something I’ve been paying more attention to recently, though, is the need to let go of goals and take time to nurture being. Brian McLaren, in his book, Finding Our Way Again, the Return of the Ancient Practices, talks about seven ancient practices in the Abrahamic faith traditions: fixed-hour prayer, fasting, Sabbath, the sacred meal, pilgrimage, observance of sacred seasons, and giving. These life practices, McLaren calls humane practices, because they “help us practice being alive and humanely so. They develop not just character but also aliveness, alertness, wakefulness, and humanity.” Sometimes I get caught up in the pressures of goals I set for myself or the pressures or obligations I have or perceive I have related to work. Too often I let my mind dwell on this concern or that, then the pressures close in, and I fall into a place of forgetting that what happens in my life is not all up to me. If I can consciously accept limitations, and live with being incomplete, it can help me learn that I will never actually “arrive” in life. All of life is process, stretching, growing. My task is to grow more and more into myself. Inner fulfillment or satisfaction will not come through competition or through other’s vision of who I am or should be.

So, taking some time each day to purposefully go slow seems especially important when living in a fast paced or competitive environment. McLaren explains, “That’s why, through the ages, people have tried to find ways to tend themselves, to do for their souls what exercise does for the body, or study for the minds. Through these character exercises, they give birth to the person they are are proud of becoming, the person they are happy to be, the one who is trying to be born in them every day…Spiritual practices are actions within our power that help us narrow the gap…They are about not letting what happens to us deform us or destroy us…(They are) about realizing that what we earn or accumulate means nothing compared to who we are.”

Married to someone who loves to cook, I’ve learned to understand how preparing food for others is an act of love. Years of practice making a zesty salsa with the perfect balance of tomatoes, onion, lemon and cilantro, or hours in the kitchen making foccacias to get the perfect texture in the bread, sewing up the deboned turkey and filling it with oyster, cornbread, nuts, celery and pomegranate stuffing–none of this is fast food. It’s not meant to be, and taking it slow–the physicality of slicing the tomatoes, cutting the nuts, getting your hands in the dough, moves food out of the realm of a commodity of something that is bought and paid for, and back into realm of relationship. Greens in your hands as you run them through the water, you think of those have grown the food, and you become aware of your interconnection to others, to the web of life itself–the force of life that blesses us over and over with the earth’s gifts.

Today in the middle of a very busy time, we took time to have a gathering at our house, and tonight we are preparing a turkey for a gathering of friends for a belated Thanksgiving dinner tomorrow. It can take years to make a good salsa or bean dip that makes people stand by your table for hours, but it’s a happy thing to notice when it happens. All week, all year we work hard, then we take time out to be with others, believing that somehow the rest of the work that’s pressing in and needs to be done we will somehow get done. We consciously choose to let time move slowly. The work can wait for a few hours or a day. Instead, we spend time pouring love into the food we make food to share with others, we spend time in the presence of friends.

Michael's focaccia
Michael’s focaccia

Feasting is a part of every culture and every religious tradition, but every day we can make our meals as a conscious act of connection to the earth and of gratitude for each other. Cooking a meal with the hands is a gift of love.