Nature, place, Uncategorized

Where is Home?

Sonoma County coast, in my current home country

About a year ago I was standing outside city hall in Santa Rosa, California for a ceremony, listening to a Native American man pray in his native language. As he prayed, he beat out a rhythm on a hand drum. Though I didn’t understand the words, the rhythm sank into my body, and I recognized on a deeper level, I was standing on land that didn’t really belong to me. I inhabited a world that had belonged to other people. I lived abroad for twenty-six years, was accustomed to being a guest in other cultures. This country was supposed to be my country, my culture. But once again, I recognized I’m actually a guest, part of a larger interweave of life living in this place I call home.

Are there stories that shouldn’t be told? Recently, I met someone who mentioned she’s currently reading my book, Stories We Didn’t Tell. She told me her family members had done “horrible things to various ethnic groups across the years.” She went on to name a few of those. “Maybe there are stories we shouldn’t tell,” she suggested. The stories were painful to own up to, felt too awful to retell. Restoring right relations both with others and with ourselves is challenging. How do we release ourselves from shameful past events connected to our history?

In the 1800s, Americans were encouraged by people like journalist John L. O’Sullivan and President James K. Polk, to believe that they were somehow exceptional people and it was their God-given calling to expand across the continent and settle the land and used this idea to justify their action of moving indigenous populations from the land they’d lived on for millennia.  Descendants of settlers in the eastern region of the country responded to the government’s idea of Manifest Destiny and progressively moved west. People may have been persuaded that their move west was the patriotic thing to do, but that movement brought about the removal, dislocation, and attempted destruction of native populations across the continent. Generations past that era of westward movement, when I consider now, the enormous loss and ongoing suffering that resulted from the belief in Manifest Destiny, I wonder how to respond in a way that both acknowledges and offers reparation for wrongs done.

Ruts in stone outside Guernsey, Wyoming, made from settlers’ wagons traveling west on the Oregon Trail

We live in an era of globalization, of world-wide diaspora. Much of the world lives in locations where they don’t share a long history on the land. People move, adapt to new cultures, learn other people’s histories and stories. Jeanette Winterson, in Frankissstein: A Love Story, writes, “I believe that the modern diaspora–that so many of us find ourselves somewhere else, migrants of some kind–global, multicultural, less rooted, less dependent on our immediate history of family or country to shape ourselves–all of that is preparing us for a looser and freer understanding of ourselves as content whose context can change.” In a world of constant movement and dislocation, how do we develop connections with the soil we walk on and the land around us in such a way that we develop an awareness of its gifts, and needs so that we live in reciprocity with it?

I think about my settler descendants who left their home countries and came to this land in search of a better life. That happened a few hundred years ago. If I returned to the country my ancestors originated from to live, I’d be considered foreign and an outsider. Where is home when you’re no longer connected to the land and traditions your people originated from, and your history of the area is weak? Maybe home isn’t just one place. Maybe we carry home inside of us. It could be that home isn’t just a place with a particular country’s name, or a town where we were born. Perhaps there’s a larger something that connects us and creates a sense of home such as the values, ideals and dreams we hold—the idea that what unites us is larger than what divides us—a desire for respect, to matter, to sense others care about us and to feel we belong. We develop a sense of home over time by interacting with the land, its history, and the history of the people who have lived there.

A family shrine in Hawaii embodying the symbolic connection between the living family and departed ancestors

Hawaiian’s use word the word kahu for entrusted with safekeeping something precious. This is how I want to respond to the land I live on and call home. I want to interact with it as a place of precious earth entrusted to my safekeeping. I want to pay attention to it and its needs, add to its life in a way that engenders life. I want to care for the soil and nurture it, grow things there that enhance the lives of other beings. Daily the bees hover over the lavender in the front yard, hummingbirds feed on the pineapple sage’s red blossoms. There’s also a multitude of life supporting essences I can’t see at all, that dwell in the soil. “A gram of soil—about a quarter of a teaspoon—can easily contain a billion bacterial cells and several miles of fungal filaments,” says Kate Scow, soil science and microbial ecology professor at UC Davis in the Department of Land, Air and Water Resources. What makes a place we call home is in a larger part dependent on the ongoing interactions of the natural world that create the foundation that builds and sustains our lives.

The poet Gary Snyder writes, “For Americans, the real work is becoming native to North America. The real work is becoming native in your heart, coming to understand we really live here, that this is really the continent we’re on and that our loyalties are here, to these mountains and rivers, to these plant zones, to these creatures. The real work involves developing a loyalty that goes back before the formation of any nation state, back billions of years and thousands of years into the future. The real work is accepting citizenship in the continent itself.” To become native in our hearts, to give loyalties to the land we live on and its creatures, in whatever land you find yourself. This is a significant way in which to make reparation and deepen our sense of being at home.

Outside Buffalo, Wyoming

Recent world events have highlighted how closely we are tied together globally. Certain people in world leadership positions have sought to confiscate resources and control land and people for their own benefit. The flow of oil has been cut off as the result, affecting the supply chains, economy, and lives of those around the world. The motives for the attacks on Iran replay in modified form the ideas beneath Manifest Destiny. They reflect the effort to reshape the world for those who want to hold power and expand their possession of it.

One way to respond to this power play could be to focus our attention beyond our nationalities and to turn our attention toward a larger vision of loyalty, one centered on the land itself. In caring for the land, we also care for ourselves as well as for each other. How might we live differently were we to visualize ourselves in a partnership with land that needs us to recognize we are in relationship with it? In the poem, “Gardening” from Stories We Didn’t Tell, my character Adah moved to Des Moines, Iowa, in 1918 where she begins working in a garden. In the last portion of the poem, Adah talks about the challenges and benefits of gardening.

I’m working to make a garden
at Gerard’s parents’ house here in Des Moines.
I plant and mulch, weed and water, trim back
dead leaves from iris and daffodils, celebrate
the potatoes’ arrival, harvest beans and peas.
I care for the garden, and it gives me
bright blooms and fruit hanging from long vines.
So much life!

No matter how we faithfully dedicate ourselves
to care for another. Still, we carry a weight
of ignorance along with us as well.
Still, we step on each other blindly.

Creating a garden requires patience.
Every day I’m bending over a hundred times,
I’m on my knees pulling weeds.

One thing I know for certain,
it takes humility to tend a garden.

Where I garden

Gardening and planting are work, and that work is, indeed, humbling. Creative work requires time and ongoing dedication and effort. It also expands life. Robin Wall Kimmerer has begun a movement she calls Plant Baby Plant. Kimmerer notes how plants generously offer us food, life, medicine and air, but we live in an “economic system that relentlessly asks, “What more can we take from the Earth?”’ She suggests that in “creative resistance” we pick up a shovel and “will ourselves with the good green earth, not against it.” She encourages people to gather to “plant trees, raise gardens…protect wetlands, restore prairies, create native plant landscapes in homes, churches, school yards, and parking lots.” Such action connects us with each other and the earth to “heal the land and build community” in tangible ways, reimagining “our collective future rooted in reciprocity.” Making the effort to interact with the living earth in this way can reshape our thinking about who we are, what we belong to, and what matters. We can live a different story, one that imagines healing and whose presence nurtures and restores. We can start simply, go together with others. And keep going.

True, there are ways people have both knowingly and unknowingly added to the suffering others have experienced. There are horrors that have purposely been carried out or explained away in the name of righteous action. But we can turn toward other stories. Here in the northern hemisphere, it’s autumn. Trees are losing their leaves, a suggestion that periodically it’s a good to drop the leaves of old stories. The horrors we inherited need to fall and dissolve into the soil so renewal can later arise and give new life. The Hopi people have a saying, “Take the breath of the new dawn and make it part of you. It will give you strength.”

Colorado Aspen wearing autumn’s color
Uncategorized

Gifts of Diaspora and an Invitation

Overlooking Naples Bay, Italy. This is the scene that inspired the first poem in my book, A Space Between about Italian family members’ immigration to the United States and their effort to create a life there.
"We’ve made a life here together, Gaetano and I,
loss, and hope, wound together in a garment of fog
that rolls in from across the Pacific. I walk through
my neighborhood, a thimble full of narrow streets—
a world no bigger than before but strange. Chinese,
Germans, Spaniards, Greeks, we are loose threads
dangling beneath this country’s clattering loom
of tongues, pale faces and pale ways, trying to see
how we might find our way into its fabric."

-- Anna Citrino, from "Making a Life," A Space Between


Some of my family members immigrated to the US more than a century ago, others of them over two centuries ago. Upon arrival they encountered people from other nations, each with their unique ways of seeing and living in the world. Immigrants' efforts to make a life in the US worked to shape the fabric of the life we have today. "An awful lot of brilliant minds blossomed in alien soil. That is especially true of the U.S., where foreign-born residents account for only 13% of the population but hold nearly a third of all patents and a quarter of all Nobel Prizes awarded to Americans," writes Eric Weiner in the Wall Street Journal. Italians brought the zucchini, broccoli, pizza, and spaghetti to American diets. They also helped build subway tunnels and laid the stone for streets in San Francisco. Germans brought the idea of kindergarten, physical education in public schools, and Christmas trees as part of our December traditions. Jewish immigrant Jonas Salk developed the first safe and effective polio vaccine. Other Jewish immigrants brought Broadway musicals to the US, and writers like Emma Lazarus created the poem found on the Statue of Liberty. Immigrants' contributions have added to our lives in significant ways. Diaspora can be a gift.
At Toadstool Geological Park, Nebraska near where my great grandparents homesteaded

When considering the many ways immigrants have contributed to American life, Mark Twain’s remark, “Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime,” comes to mind. Nowadays many people travel but it seems there’s still quite a bit of prejudice and narrow-mindedness in the world. Factors other than visiting a country seem necessary in order for our way perspectives to change regarding those who are different from us.

Creativity researcher Adam Galinsky, of Columbia Business School in New York City, studies how cross-cultural connections affect people’s creativity. “Interestingly, travel abroad has no effect on creativity,” says Galinsky in Psychology Today‘s article “Are Immigrants More Creative?” “But the people who had lived in another country scored higher on a creativity test. Plus, the people who’d lived overseas longer scored higher.” Long term exposure to different cultures requires adjustment to new ways of thinking and living alongside the need to negotiate between two languages. The more extensive and layered one’s connections to another culture, the more creativity tends to emerge. Not only does long term exposure to and interaction with people different from ourselves allow us to be more creative, it can also assist moving people beyond their prejudices in order to live together more peaceably. Researchers Bai Xuechunzi and Susan Fiske found that “people living in places with more diversity experienced a stronger sense of commonality than those living in less diverse places…’“If nothing terrible happens, if you don’t have a civil war or a demagogue for a leader who exacerbates tensions, people get used to each other,”’ Fiske says. ‘“It doesn’t mean that you love everybody or get to know them well. But you do see them as similar to you, and that’s reason for optimism.”’

Today many people move from region to region in their homeland or sometimes move to different countries for work. Each of the six countries I’ve lived in has left an imprint on me. Living in regions other than where we grew up, we learn new ways to shape our lives. We create new relationships and remake ourselves in each new location. Recently, I came across Oleg Chirita’s, Head of Global Initiatives at The International Centre for Migration Policy Development, statement about diaspora, “I only gradually started to label myself as diaspora, it definitely didn’t happen overnight, but was part of my self-identity building process, a journey that many of us go through wittingly or unwittingly. I believe that the journey of migration is connected to the human condition; it implies that we carry so many identities with us that we acquire through our lifetimes. I am persuaded that migration is a powerful transformative experience that molds our personalities by adding a new layer of identity and creating new values, composed of a blend of values that we bring with us and the new values that we pick up in the new societies where we are living…Diaspora is how we feel connected. It is about our sense of belonging and affinities: it is about our bond with our homeland. It’s about hearts, minds and emotions and – above all – about identity.” Since reading Chitra’s statement, I keep thinking about his idea of labeling one’s self as diaspora. It makes sense to me. Because I lived abroad for many years, I carry in me a sense that I live in multiple worlds and occupy a kind of in-between place that allows me to sense I’m simultaneously at home in myself yet also in a world where I’m a stranger.

On the road visiting locations of my family heritage in the US

We are connected to each other because of diaspora. Unless you are a person of indigenous heritage, if you’re an American citizen, your ancestors moved to the North American continent from locations across the world carrying their cultural perspectives with them. Immigrants’ children didn’t necessarily marry someone from their own cultural background. As a result, many in the US embody multiple cultural backgrounds and heritages that have woven themselves into our everyday lives. We literally embody diaspora. We carry in ourselves the imprint of multiple cultures in both words that have entered our language and tools we use that come from other cultures. People and cultures grow and develop through interaction with each other. Denim, the fabric jeans are made from, for example, came from Nîmes, France. The first electric batteries was invented by an Italian physicist Alessandro Volta, and decaf coffee was created by German coffee merchant, Ludwig Roselius in 1905. (See further examples here.) Though these items came from other cultures, we’ve adopted them so fully that they are part of our everyday lives.

Reflecting on family stories and the journeys people took to become who they were or are today can help us see connections through time, other locations, and histories to gain new understanding and respect for the challenges people went through in the effort to create their lives and offer what they felt was meaningful to the world. Next May 12-22-2027 I’ll be leading a creative nonfiction writing workshop in Cetraro, Calabria, Italy in conjunction with Chapman College’s Ferrucci Institute for Italian Experience and Research in collaboration with the University of Calabria. In writing about our family histories and stories we have the opportunity to see more of our interconnections with the world at large. Coming together in a place outside our everyday world together with others focused on writing about their heritage is an opportunity to listen to each other’s histories and to open dialog together that creates new insights.

If you’d like to explore your cultural heritage and write about your family’s diaspora story, perhaps you’d like to join the workshop. In a supportive environment, we’ll write about immigrant voices, connections to the natural world and the land, experiences of travel, and more. See more details about the workshop and how to apply here. Take a look! We’ll visit locations in Calabria and have time away to reflect.

We have a lot we can learn from each other. I’d love to write and reflect on diaspora and our family stories together with you.

From my visit to Monreale, Sicily