Nature, place, Uncategorized

Where is Home?

Sonoma County coast, in my current home country

About a year ago I was standing outside city hall in Santa Rosa, California for a ceremony, listening to a Native American man pray in his native language. As he prayed, he beat out a rhythm on a hand drum. Though I didn’t understand the words, the rhythm sank into my body, and I recognized on a deeper level, I was standing on land that didn’t really belong to me. I inhabited a world that had belonged to other people. I lived abroad for twenty-six years, was accustomed to being a guest in other cultures. This country was supposed to be my country, my culture. But once again, I recognized I’m actually a guest, part of a larger interweave of life living in this place I call home.

Are there stories that shouldn’t be told? Recently, I met someone who mentioned she’s currently reading my book, Stories We Didn’t Tell. She told me her family members had done “horrible things to various ethnic groups across the years.” She went on to name a few of those. “Maybe there are stories we shouldn’t tell,” she suggested. The stories were painful to own up to, felt too awful to retell. Restoring right relations both with others and with ourselves is challenging. How do we release ourselves from shameful past events connected to our history?

In the 1800s, Americans were encouraged by people like journalist John L. O’Sullivan and President James K. Polk, to believe that they were somehow exceptional people and it was their God-given calling to expand across the continent and settle the land and used this idea to justify their action of moving indigenous populations from the land they’d lived on for millennia. Descendants of settlers in the eastern region of the country responded to the government’s idea of Manifest Destiny and progressively moved west. People may have been persuaded that their move west was the patriotic thing to do, but that movement brought about the removal, dislocation, and attempted destruction of native populations across the continent. Generations past that era of westward movement, when I consider now, the enormous loss and ongoing suffering that resulted from the belief in Manifest Destiny, I wonder how to respond in a way that both acknowledges and offers reparation for wrongs done.

Ruts in stone outside Guernsey, Wyoming, made from settlers’ wagons traveling west on the Oregon Trail

We live in an era of globalization, of world-wide diaspora. Much of the world lives in locations where they don’t share a long history on the land. People move, adapt to new cultures, learn other people’s histories and stories. Jeanette Winterson, in Frankissstein: A Love Story, writes, “I believe that the modern diaspora–that so many of us find ourselves somewhere else, migrants of some kind–global, multicultural, less rooted, less dependent on our immediate history of family or country to shape ourselves–all of that is preparing us for a looser and freer understanding of ourselves as content whose context can change.” In a world of constant movement and dislocation, how do we develop connections with the soil we walk on and the land around us in such a way that we develop an awareness of its gifts, and needs so that we live in reciprocity with it?

I think about my settler descendants who left their home countries and came to this land in search of a better life. That happened a few hundred years ago. If I returned to the country my ancestors originated from to live, I’d be considered foreign and an outsider. Where is home when you’re no longer connected to the land and traditions your people originated from, and your history of the area is weak? Maybe home isn’t just one place. Maybe we carry home inside of us. It could be that home isn’t just a place with a particular country’s name, or a town where we were born. Perhaps there’s a larger something that connects us and creates a sense of home such as the values, ideals and dreams we hold—the idea that what unites us is larger than what divides us—a desire for respect, to matter, to sense others care about us and to feel we belong. We develop a sense of home over time by interacting with the land, its history, and the history of the people who have lived there.

A family shrine in Hawaii embodying the symbolic connection between the living family and departed ancestors

Hawaiian’s use word the word kahu for entrusted with safekeeping something precious. This is how I want to respond to the land I live on and call home. I want to interact with it as a place of precious earth entrusted to my safekeeping. I want to pay attention to it and its needs, add to its life in a way that engenders life. I want to care for the soil and nurture it, grow things there that enhance the lives of other beings. Daily the bees hover over the lavender in the front yard, hummingbirds feed on the pineapple sage’s red blossoms. There’s also a multitude of life supporting essences I can’t see at all, that dwell in the soil. “A gram of soil—about a quarter of a teaspoon—can easily contain a billion bacterial cells and several miles of fungal filaments,” says Kate Scow, soil science and microbial ecology professor at UC Davis in the Department of Land, Air and Water Resources. What makes a place we call home is in a larger part dependent on the ongoing interactions of the natural world that create the foundation that builds and sustains our lives.

The poet Gary Snyder writes, “For Americans, the real work is becoming native to North America. The real work is becoming native in your heart, coming to understand we really live here, that this is really the continent we’re on and that our loyalties are here, to these mountains and rivers, to these plant zones, to these creatures. The real work involves developing a loyalty that goes back before the formation of any nation state, back billions of years and thousands of years into the future. The real work is accepting citizenship in the continent itself.” To become native in our hearts, to give loyalties to the land we live on and its creatures, in whatever land you find yourself. This is a significant way in which to make reparation and deepen our sense of being at home.

Outside Buffalo, Wyoming

Recent world events have highlighted how closely we are tied together globally. Certain people in world leadership positions have sought to confiscate resources and control land and people for their own benefit. The flow of oil has been cut off as the result, affecting the supply chains, economy, and lives of those around the world. The motives for the attacks on Iran replay in modified form the ideas beneath Manifest Destiny. They reflect the effort to reshape the world for those who want to hold power and expand their possession of it.

One way to respond to this power play could be to focus our attention beyond our nationalities and to turn our attention toward a larger vision of loyalty, one centered on the land itself. In caring for the land, we also care for ourselves as well as for each other. How might we live differently were we to visualize ourselves in a partnership with land that needs us to recognize we are in relationship with it? In the poem, “Gardening” from Stories We Didn’t Tell, my character Adah moved to Des Moines, Iowa, in 1918 where she begins working in a garden. In the last portion of the poem, Adah talks about the challenges and benefits of gardening.

I’m working to make a garden
at Gerard’s parents’ house here in Des Moines.
I plant and mulch, weed and water, trim back
dead leaves from iris and daffodils, celebrate
the potatoes’ arrival, harvest beans and peas.
I care for the garden, and it gives me
bright blooms and fruit hanging from long vines.
So much life!

No matter how we faithfully dedicate ourselves
to care for another. Still, we carry a weight
of ignorance along with us as well.
Still, we step on each other blindly.

Creating a garden requires patience.
Every day I’m bending over a hundred times,
I’m on my knees pulling weeds.

One thing I know for certain,
it takes humility to tend a garden.

Where I garden

Gardening and planting are work, and that work is, indeed, humbling. Creative work requires time and ongoing dedication and effort. It also expands life. Robin Wall Kimmerer has begun a movement she calls Plant Baby Plant. Kimmerer notes how plants generously offer us food, life, medicine and air, but we live in an “economic system that relentlessly asks, “What more can we take from the Earth?”’ She suggests that in “creative resistance” we pick up a shovel and “will ourselves with the good green earth, not against it.” She encourages people to gather to “plant trees, raise gardens…protect wetlands, restore prairies, create native plant landscapes in homes, churches, school yards, and parking lots.” Such action connects us with each other and the earth to “heal the land and build community” in tangible ways, reimagining “our collective future rooted in reciprocity.” Making the effort to interact with the living earth in this way can reshape our thinking about who we are, what we belong to, and what matters. We can live a different story, one that imagines healing and whose presence nurtures and restores. We can start simply, go together with others. And keep going.

True, there are ways people have both knowingly and unknowingly added to the suffering others have experienced. There are horrors that have purposely been carried out or explained away in the name of righteous action. But we can turn toward other stories. Here in the northern hemisphere, it’s autumn. Trees are losing their leaves, a suggestion that periodically it’s a good to drop the leaves of old stories. The horrors we inherited need to fall and dissolve into the soil so renewal can later arise and give new life. The Hopi people have a saying, “Take the breath of the new dawn and make it part of you. It will give you strength.”

Colorado Aspen wearing autumn’s color
Uncategorized

An Inheritance of Open Space

“Instructions for Having a Soul”

Take it out in the rain sometimes. 
It has vast, invisible wings that gather dirt 
and need rinsing. 
When it tries to kill you 
that is because you’ve forgotten 
to let it look into someone’s eyes 
for longer than a minute. 
It needs that the way a bee needs nectar 
in the early morning dew. 
Every so often, take it on a journey. 

an excerpt from—Joseph Fasano

This past June I took a trip to visit the place my grandparents and great grandparents lived and worked. Though I never lived there, Nebraska, Wyoming, and South Dakota are central to my heritage. It’d been years since I’d visited these states. I wanted to place my feet on that earth once more, and sense how it felt. After writing Stories We Didn’t Tell, I wanted reimagine the lives of my ancestors who made their way through an era of extreme change during their lives while once again walking the land they walked. I wanted to stand on that land, breathe its air, and let my eyes gather the landscape into my soul. I wanted to deepen my awareness about what it means to inhabit such a place, and it to inhabit me.

When driving from Hot Springs, South Dakota to visit Fort Robinson outside of Crawford, Nebraska, we stopped the car and got out to take in the Oglala Grasslands, a vast expanse of prairie expanding in every direction. Clouds hung low. Wind whispered through the grass, quivered wild flowers’ purple tips. As I stood listening, absorbing the scene, I imagined my great grandparents walking and working the land. There’s a kind of voice in the voicelessness of the grasslands that speaks of time, endurance, and the strength of perseverance through all kinds of weather and change. The land’s silence fell into me like a pebble dropped into a deep well. Even now, if I go back to that moment in my mind, I feel the ripple effect of standing on that ground in all its solidness, a profound, ancient quiet reaching into my bones, wrapping me in it like a shawl.

Born into an era where many people were small farmers living in remote landscapes with no running water or electricity, life changed for my ancestors with the arrival of telephones, then the radio, and later the automobile with the subsequent development of highways. My grandparents survived the Great Depression, observed the airplane’s invention, and the arrival and departure of two world wars. Small farms and ranches mostly became a thing of the past as the country turned to the use of pesticides, big machinery, and industrial farming. My ancestors experienced the emergence of television, witnessed the moon landing, the rise of women’s rights and civil rights, and the emergence of environmental awareness. Combined together, these changes fundamentally and dramatically altered the way we live and function as a society.

My grandparents and great grandparents’ lives and the communities they were a part of, along with everyone else’s ancestors, helped shape who we became as a nation. Learning more of a place’s history can give us a clearer picture of what in our culture may have been invisible or hidden in shadow so we can make better choices that will affect our future. We don’t live individual lives isolated from the past or from the actions of people across our neighborhoods, cities, country or the world. The way we respond to events and the choices we make or fail to make today in connection with those events shapes our lives now and in the future.

landscape outside Chugwater, Wyoming

I lived outside of my home country for more than two and a half decades. Each culture taught me different ways of seeing the world that arose out of their history, traditions, and interaction with the land the people inhabited. Returning to the US, I realized there’s a lot to learn about my country’s history that I was unaware of earlier. Writing both Stories We Didn’t Tell and A Space Between helped me see a fuller and more detailed picture of my cultural roots, heritage, and my country’s history. One book that has been especially helpful for me to understand current dynamics and tensions in the US is Colin Woodard’s American Nations: A History of the Eleven Rival Regional Cultures of North America. (You can see a map of the different cultural nations inside of the US map here and hear Woodard talk about some of the main points in his new book on this topic here.) The various values and characteristics of the nations people had previously lived in who first came to what we now call the North American continent, continue to affect us today, explains Woodard. One current example of this tension are those organizations in the US that work to preserve and protect forests such as American Forests, The Conservation Fund, The Nature Conservancy and the National Forest Foundation. “Recognizing “enoughness” is a radical act in an economy that is always urging us to consume more,” writes Robin Wall Kimmerer in her book, Serviceberry: Abundance and Reciprocity in the Natural World. “When an economic system actively destroys what we love, isn’t it time for a different system?” A different perspective, however, is taken by the current US administration, (influenced by values prevalent in the area Woodard calls Tidewater and the Deep South.) This month the US president’s administration proposed opening nearly 45 million acres of national forest land across 37 states to commercial logging, mining, and road construction.

Why must the natural beauty of open spaces offer constantly be pushed aside in the name of business and development? Hiking through Sinks Canyon and Crazy Woman Canyon, visiting Devils Tower in Wyoming, driving around the area of the Badlands and through the Needles Highway in South Dakota, would be enough, it seems, to encourage us to answer Kimmerer’s question with a resounding yes, we need a different system, a different way of thinking. These areas are sacred places full of beauty. The entire area evoked in me a continuing sense of awe, the kind I’ve felt when staring up at the night sky sensing my small place in the cosmos. Open landscapes nourish us and help us regain our souls.

In a recent conversation with Bebo Franklin, author of The Harbinger of Elemdale about about the creative process of authoring a book Franklin writes, “The deeper I went into creating characters and understanding why they might behave as they did, the harder it became to reduce people to simply good, bad, broken, etc. They became much more complicated.” Writers create worlds in their books that help us look at the worlds we live in more closely. We might not be authors, but we’re living the stories we write with our lives. We’re flawed people trying to create the story we want to live in together, a life we want to inhabit as well as pass on. Wherever you live and whoever you are, we’re part of the creative process of life on this planet. Our character manifests itself in the place we live and the history we create. What we do ripples out through time to touch the world around us both now and in the future.

We can choose to be intentional about the transformation we bring about within ourselves and the world. We can make a practice of taking time to purposefully notice the natural world and its contribution to our lives. Go into your back yard and spend time with your favorite flower, stroll through a city park listening for birds, drive, bike or walk in some open space your heart calls you to and let that place speak to you. Try one of these fifty seasonal meditations from Emergence Magazine. “What if our metrics for well-being included birdsong, the crescendo of crickets on a summer evening, and neighbors calling to each other across the road?” writes Robin Wall Kimmerer. That’s the kind of world I want to live in.